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An interdisciplinary study of the Impressionist/early Modernist works of Conrad and Ford, this book aims to show how the represented temporalities (whether to do with past, present, future experience within and without the novels, or logical/structural relations of ‘before’ and ‘after’) are at the core of the won effects of both authors’ oeuvres. Looking at such well-known works as Nostromo, The Good Soldier, The Fifth Queen, Parade’s End, the study makes use of philosophy (historical and contemporary), theology, psychoanalysis, and other sources, to re-describe, unlock and display the fertile ways in which time and historical experience are both manumitted within the tales analysed, and, recursively, within their reading experience. Ultimately, the two senses of ‘making you see’, from Conrad’s iconic Preface, are used as gambits to understand the ways in which these novels are metaphysically vibrant, symbolically hopeful- as against the more common interpretation of metaphysical dissolution and (over-determined) failure.
Graphic narratives are one of the world's great art forms, but graphic novels and comics from Europe and the United States dominate scholarly conversations about them. Building upon the little extant scholarship on graphic narratives from the Global South, this collection moves beyond a narrow Western approach to this quickly expanding field. By focusing on texts from the Middle East, Africa, Latin America, and Asia, these essays expand the study of graphic narratives to a global scale. Graphic Novels and Comics as World Literature is also interested in how these texts engage with, fit in with, or complicate notions of World Literature. The larger theoretical framework of World Literature is joined with the postcolonial, decolonial, Global South, and similar approaches that argue explicitly or implicitly for the viability of non-Western graphic narratives on their own terms. Ultimately, this collection explores the ways that the unique formal qualities of graphic narratives from the Global South intersect with issues facing the study of international literatures, such as translation, commodification, circulation, Orientalism, and many others.
Außenseiterin. Bluterguss. Erste Liebe. Einsamkeit bestimmt Eules Leben. Bis Dima das Klassenzimmer betritt. Er trägt gammelige Klamotten und stinkt nach Rauch, aber er akzeptiert Eules Wahrheitsliebe und ihren Hang zur Besserwisserei. Mit der Wucht einer neuen Freundschaft verändert sich Eules Leben. Doch Dima verbirgt ein nachtschwarzes Geheimnis hinter seiner Rüstung aus Muskeln und Blutergüssen. Mit einem Schlag verliebt eignet sich für Mädchen ab 14 Jahren und junggebliebene, die gerne in unterhaltsamer Weise über die Dramen der Jugend lesen. MOSAIK: Zuckerwatte im Hirn & Konfetti im Bauch Triggerwarnung: Thematisiert werden: Mobbing, Kindesmisshandlung, versuchte Vergewaltigung, Selbstmordabsicht und Häusliche Gewalt. Das Buch ist ein Wohlfühlbuch, die Themen werden nicht tiefgehend behandelt und gut aufgelöst, dennoch kann es für Personen mit entsprechenden Erfahrungen emotional belastend sein darüber zu lesen. (Geschrieben von einer Sozialpädagogin)
Table of Contents: Module A: Mediate a Dispute Negotiate an Agreement Communicate through an Interpreter Brief a Supported Commander Establish Linkup with Supported Commander Analyze Propaganda Module A Practical Exercises Mediate a Dispute Negotiate an Agreement Communicate through an Interpreter Brief a Supported Commander Establish Linkup with Supported Commander Analyze Propaganda Module B: Adjustments to Culture Characteristics and Components to Culture Comparison of Types of Culture Cultural Elements of Communication Theory Cultural Literacy and Competency Islamic Culture Islamic History Islamic Religious Divisions Laws and Principles of Human Behavior Radicalization of Islam Tenets of...
The discourse of Arab women speaking out, refusing to be silent, and voicing their experiences, is alive and ever-growing. Arab Women Voice New Realities presents an archive of living, breathing stories of women making promises and confessions, women coming to terms with traumatic pasts, negotiating complex present realities, and imagining alternative liberating futures. This collection attempts to bridge the gap among women writers, seasoned and novice. It spans a large geographical space, uncovers the depth of distinct experiences, and ultimately offers a platform for voice and visibility to the new Arab woman. These stories are instantiations, records, and they will never be told in the same way again. Seldom do we get the chance to see a literary project through in a relatively short period of time, especially one which involves many writers, translators, artists, designers and publishing members.
This is an examination of the political, economic and social development of Oman from the accession Sultan Qaboos in a palace coup in 1970 to the promulation of the basic law of 1996. The book argues that the sultanate does not follow the "rentier" model but the patriarchal tradition.
A new interpretation of the Cold War from the perspective of the smaller and middle powers in Asia, the Middle East and Europe.
New York Times Notable Books of 2018 Financial Times Book of the Year Award-winning journalist Rania Abouzeid presents reportage of unprecedented scope in this engaging, character-driven investigation that exposes the secret dealings that armed and betrayed an uprising. Taking readers deep into Assad’s prisons, to clandestine meetings and to the highest levels of Islamic militancy, Abouzeid dissects the tangle of ideologies and allegiances that make up the Syrian conflict, and lays bare the tragedy of the Syrian War through the stories of those seeking safety and freedom in a shattered country. Based on more than five years of frontline reporting, No Turning Back is an utterly engrossing human drama that shows how hope can flourish even amid one of the twenty-first century’s greatest humanitarian disasters.