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Horace and Morris But Mostly Dolores
Horace, Morris, and Dolores do everything together and know that they will be Friends Forever...until one day, when Horace and Morris become part of an exclusive boys' club and Dolores finds herself left out. Soon, she, too, finds her own club, where no boys are allowed and girls are supposed to have fun doing girl stuff. But after a while, Horace and Morris and Dolores realize they aren't happy at all doing what everyone in their clubs seems to enjoy. They miss each other. Is it too late to be friends again? Join these three charming mouse friends as they learn to do what they like, rather than what others say they should like.
Personality Development and Psychotherapy in Our Diverse Society
This important new work encompasses the entire range of cultural influence in clinical work today.
Creative Dissent
Views dissenting from the status quo in psychoanalysis are presented in four areas: Psychoanalysis and Early Dissidents, The Psychoanalytic Process, Psychoanalysis and Culture, and Psychoanalysis and Religion. Authors introduce ideas on the analyst's freedom and imagination, the use of humor and play, and the importance of small talk, as well as new perspectives on understanding and working with trauma. The section on psychoanalysis and culture addresses an area rarely considered in psychoanalysis today, regardless of theoretical model. As the global culture becomes more salient, clinicians can ignore the issues of culture with a diversity of patients only to their detriment. The volume's final attention to psychoanalysis and religion frames a new paradigm for understanding mysticism and the relationship to psychopathology to spiritual disciplines and experiences.
Annual Report
None
Horace and Morris Join the Chorus (but what about Dolores?)
Horace and Morris, but mostly Dolores, are back again for another uproarious adventure. When the three best friends decide to try out for the school chorus together, they're shocked when Dolores (who can only sing notes that no one has ever heard before) is the only one who doesn't make the cut. After all, they've always done everything together. Once Horace and Morris start chorus practice, they're so busy that they don't have time to go exploring or climb trees with Dolores anymore. Feeling left out and alone, Dolores decides to take matters into her own hands. But can she prove to Moustro Provolone that there's a place for every kind of voice in the chorus?
Jewish Currents
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