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Bernini's Biographies
Unique among early modern artists, the Baroque painter, sculptor, and architect Gianlorenzo Bernini was the subject of two monographic biographies published shortly after his death in 1680: one by the Florentine connoisseur and writer Filippo Baldinucci (1682), and the second by Bernini's son, Domenico (1713). This interdisciplinary collection of essays by historians of art and literature marks the first sustained examination of the two biographies, first and foremost as texts. A substantial introductory essay considers each biography's author, genesis, and foundational role in the study of Bernini. Nine essays combining art-historical research with insights from philology, literary history,...
The Inquisitor in the Hat Shop
Early modern Venice was an exceptional city. Located at the intersection of trade routes and cultural borders, it teemed with visitors, traders, refugees and intellectuals. It is perhaps unsurprising, then, that such a city should foster groups and individuals of unorthodox beliefs, whose views and life styles would bring them into conflict with the secular and religious authorities. Drawing on a vast store of primary sources - particularly those of the Inquisition - this book recreates the social fabric of Venice between 1640 and 1740. It brings back to life a wealth of minor figures who inhabited the city, and fostered ideas of dissent, unbelief and atheism in the teeth of the Counter-Refo...
The Art of Religion
Bernini and Pallavicino, the artist and the Jesuit cardinal, are closely related figures at the papal courts of Urban VIII and Alexander VII, at which Bernini was the principal artist. The analysis of Pallavicino's writings offers a new perspective on Bernini's art and artistry and allow us to understand the visual arts in papal Rome as a 'making manifest' of the fundamental truths of faith. Pallavicino's views on art and its effects differ fundamentally from the perspective developed in Bernini's biographies offering a perspective on the tension between artist and patron, work and message. In Pallavicino's writings the visual arts emerge as being intrinsically bound up with the very core of religion involving questions of idolatry, mimesis and illusionism that would prove central to the aesthetic debates of the eighteenth century.
The Canon Law Collection of the Library of Congress
Ferreira-Ibarra, Dario C., Compiler. The Canon Law Collection of the Library of Congress: A General Bibliography with Selective Annotations. Washington: Library of Congress, 1981. xiii, 210 pp. 8-1/2" x 11." Reprinted 2004 by The Lawbook Exchange, Ltd. LCCN 2003052789. ISBN 1-58477-366-9. Cloth. $150. * The Library of Congress has one of the largest collections of published Canon Law materials in the world. This bibliography, which includes all items catalogued before 1980, is thus a powerful guide to a body of legal literature that dates back to the birth of printing. The first three sections cover early editions of the Code of Canon Law, the code's historical foundations and the decisions of the Roman Rota, or the Church's jurisprudence. The remaining sections correspond exactly to the divisions of the Code of Canon Law and cover such subjects as persons, things, procedural law and crimes and penalties. Comprehensive author and subject indexes are included as well.
They Flew
An award-winning historian's examination of impossible events at the dawn of modernity and of their enduring significance Accounts of seemingly impossible phenomena abounded in the early modern era--tales of levitation, bilocation, and witchcraft--even as skepticism, atheism, and empirical science were starting to supplant religious belief in the paranormal. In this book, Carlos Eire explores how a culture increasingly devoted to scientific thinking grappled with events deemed impossible by its leading intellectuals. Eire observes how levitating saints and flying witches were as essential a component of early modern life as the religious turmoil of the age, and as much a part of history as N...
