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Beyond the Frame
In literature and visual sources, secluded parks, cabinets, bourgeois homes, döppelgänger that function as a second skin and interior spaces in the guise of art or artifice reveal a rich and complex imagery. These expose a dweller / subject that is driven by authenticity and embodies a radical panoptic and simultaneous presence with reality. This ambition however increasingly leads to its complete opposite. Authenticity becomes alienation, presence becomes absence, seeing becomes blindness, the subject becomes an object, the void invades the interior. 0The imagery of interior spaces is thus presented as a cultural code of a tragic subjectivity, throughout a variety of historical case studi...
History, Casuistry and Custom in the Legal Thought of Francisco Suárez (1548-1617)
This volume collects studies into the legal thought of Francisco Suárez. Both his theoretical system-building as well as his interventions in practical questions are covered. Next to questions of legal theory, the chapters cover various branches of the law including private law, criminal law and international law.
Place - Text - Trace
The past was over, the future was not there yet and the present was a future past. Throughout the long nineteenth century, past and present had become traces and layers, burdened with an inescapable dimension of absence. Writers, scholars and architects, political theorists, artists, visitors of museums and exhibitions, the miller in Provence and the shepherd in the Landes, were facing a rapidly changing world. The present had become elusive and fragile. The past was irrevocably gone and other. In an initial context of loss, of dispersion and disconnection of lands, people, professions and things, new frameworks of meaning and imagination, of 'presentification', had to be found, tools of pre...
The Home, Nations and Empires, and Ephemeral Exhibition Spaces
This book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country's borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realities that are constantly being asserted, defined and objectified. This takes place, they demonstrate, in a ceaseless dynamic of projection versus alienation, and intimacy versus distancing.
The Imagery of Interior Spaces
On the unstable boundaries between "interior" and "exterior," "private" and "public," and always in some way relating to a "beyond," the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of modernity. The wide variety of interior spaces elicited in literature -- from the odd room over the womb, secluded parks, and train compartments, to the city as a world under a cloth -- reveal a common defining feature: these interiors can all be analyzed as codes of a paradoxical, both assertive and fragile, subjectivity in its own unique time and history. They function as subtexts that define subjectivity, time, and history as profoundly ambiguous rea...
Sacred Polities, Natural Law and the Law of Nations in the 16th-17th Centuries
A fresh look at the importance of natural and international law in the religious politics at the heartlands of the Reformation, from the Low Countries, the German principalities up to Transylvania; from Niels Hemmingsen to Gian Battista Vico; from religious reasons for the universalist claims of natural law to political arguments for the sacred polity, their tension and creative potential.
The Medieval Foundations of International Law
Dante Fedele’s new work of reference reveals the medieval foundations of international law through a comprehensive study of a key figure of late medieval legal scholarship: Baldus de Ubaldis (1327-1400).
The Invention of Custom
The concept of customary international law, although differently formulated, is already present in early modern European debates on natural law and the law of nations. However, no scholarly monograph has, until now, addressed the relationship between custom and the European natural law and ius gentium tradition. This book tells that neglected story, and offers a solid conceptual framework to contextualize and understand the 'problematic of custom', namely how to identify its normative content. Natural law doctrines, and the different ways in which they help construct human reason, provided custom with such normative content. This normative content consists of a set of fundamental moral value...
So What's New About Scholasticism?
In So What’s New about Scholasticism? thirteen international scholars gauge the extraordinary impact of a religiously inspired conceptual framework in a modern society. The essays that are brought together in this volume reveal that Neo-Thomism became part of contingent social contexts and varying intellectual domains. Rather than an ecclesiastic project of like-minded believers, Neo-Thomism was put into place as a source of inspiration for various concepts of modernization and progress. This volume reconstructs how Neo-Thomism sought to resolve disparities, annul contradictions and reconcile incongruent, new developments. It asks the question why Neo-Thomist ideas and arguments were put i...
Anna Boch
- Harmonious use of color and delicate paintwork in a superb overview of the artist Anna Boch - This book is published on the occasion of the exhibition Anna Boch, An Impressionist Journey at Mu.ZEE, Ostend from 1 July until 5 November 2023, and at the Musée de Pont-Aven from 3 February until 26 May 2024 The versatile Anna Boch (1848-1936) was not only a talented artist, but also a highly knowledgeable collector, generous patron, and enthusiastic traveler with a great love of music and architecture. She was the only woman to become a member of the prominent art societies Les XX and La Libre Esthétique, and she was treated as an equal by her fellow artists. Inspired by kindred spirits inclu...
