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Philip Astley and the Horsemen Who Invented the Circus
In this fascinating and carefully researched book, Dominique Jando tells us when, why and how the former sergeant-major of a British Hussars regiment created the most universal form of entertainment, the Circus. It was not a chance occurrence: the place, the times and the social context, all led to this pivotal moment. Philip Astley became England's greatest showman, but if he was indeed a visionary, he was not a lone experimentalist: immediately, other equestrians followed his example and participated in the development and expansion of the circus in Europe and the Americas. This is the story, too, of these extraordinary and colorful pioneers who were Astley's contemporaries, whether pupils, competitors or colleagues: Charles Hughes, John Bill Ricketts, Philip Lailson, Antonio Franconi and a few others-including Astley's own son, John Conway Astley. Relying in large part on their contemporaries' testimony, Dominique Jando places these pioneers back in their historical and social context, as well as in the often-overlooked context of the nascent show business of the late eighteenth century-principally in Great Britain, but also in Europe and in America.
Camera Man
They were calling it the Twentieth Century -- "She is a little animal, surely" -- "He's my son, and I'll break his neck any way I want to" -- "The locomotive of juveniles" -- A little hell-raising Huck Finn -- The boy who couldn't be damaged -- "Make me laugh, Keaton" -- Speed mania in the kingdom of shadows -- Pancakes at Childs -- Comique -- Roscoe -- Brooms -- Mabel at the wheel -- Famous players in famous plays -- Home, made -- Rice, shoes, and real estate -- The shadow stage -- Battle-scarred risibilities -- One for you, one for me -- The "darkie shuffle" -- The collapsing façade -- Grief slipped in -- The road through the mountain -- Not a drinker, a drunk -- Old times -- The coming thing in entertainment -- Coda: Eleanor.
The Contemporary Circus
The fun, energy, and hard work integral to the exciting world of the circus is lovingly captured in The Contemporary Circus: Art of the Spectacular, an in depth look at the creative process of today's circuses. Through numerous personal interviews with directors, designers, composers and performers, author Ernest Albrecht provides a unique inside view of the journey through which the most innovative and exciting modern circuses are produced, from the director and production team to the performers, and from designing the circus to setting it to music. Case studies of specific productions by the Big Apple Circus, Ringling Bros. and Barnum & Bailey, and Cirque du Soleil illuminate the artistic give-and-take necessary in such a collaborative process, proving the circus a true art form, one as artistic as theatre or dance. A variety of performers such as animal trainers, dancers, and clowns discuss their approach to their individual specialties, and the text concludes with an examination of the world's circuses and schools and their methods for training circus artists. A full photo spread of 30 beautiful photos will help inspire and enlighten artists and fans alike.
The Tribes of Burning Man: How an Experimental City in the Desert Is Shaping the New American Counterculture
Burning Man is the premier countercultural event of modern times, growing over 25 years from a strange San Francisco beach party into an experimental city of 50,000 colorful souls in Nevada’s Black Rock Desert, which burns brightly for a week before dissolving into dusty memories and changed lives. Longtime newspaper journalist Steven T. Jones embedded himself in this blossoming culture starting in 2004, a dispiriting year for American politics but the beginning of Burning Man’s renaissance, when it exploded outward in unexpected ways. The result is the most in-depth book ever written on this intriguing social phenomenon – The Tribes of Burning Man: How An Experimental City in the Dese...
The Cambridge Companion to the Circus
An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship, from its origins in commercial equestrian performance, to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.
In Memoriam
A comprehensive planning guide to help ease the difficult responsibilities involved in honoring a life that has ended. A unique guide leads friends and family members through each step of planning a funeral or memorial service, from writing eulogies to arranging flowers; shows how to personalize a service; and explains the rites and rituals of various religions.
The Grand Gypsy: A Memoir
What do Adolf Hitler, Mahatma Gandhi, and Ed Sullivan have in common? Ottavio Canestrelli crossed paths with each. He performed with the Krone Circus in Italy and Germany from 1922 to 1924 on the eve of Hitler's rise to power; he witnessed a rally for Mahatma Gandhi in India in 1931; and he appeared twice on the Ed Sullivan Show during the 1960s. In The Grand Gypsy, Canestrelli, with his grandson, Ottavio Gesmundo, tells the story of a man who witnessed historical events as he toured with his family through five continents and countless nations, including experiences fighting in World War I and the excavation of the Sphinx in Egypt. It shares memories of life in the circus, filled with daring feats and tragic mishaps. With over one hundred and seventy historical photographs included, this memoir chronicles a circus dynasty from the late nineteenth-century in Europe to the new millennium in the United States.
Emotional Arenas
Set in recently unified Italy, the narrative of Emotional Arenas is driven by a failed marriage, the wife's scandalous affair with a circus artiste, and the illicit couple's murder of the hapless husband. Imaginative reading of the criminal prosecution records and newspaper coverage allows reconstruction of the emotional experiences of this story.
The New Modernist Novel
Considers relationships between modernist literature and literary criticism and argues that new modernist fiction can bring with it new modes of reading Considers how close reading may change as the study of modernism changes to include recently recovered fiction Asks what reading meant for selected critics of modernist literature around 1930 and around 1960 Offers readings of three new modernist novels: Djuna Barnes’s Nightwood, John Rodker’s Adolphe 1920 and Mina Loy’s Insel Considers key cultural moments of the novels' composition and reception Extends the questions about reading raised by these novels to Samuel Beckett’s Comment c’est / How It Is and Jean Rhys’s short stories...
Paris Dreams, Paris Memories
“A rich and entertaining history of the French capital’s predominant myths and ‘image-making’ from the nineteenth century to the present.” —Roxanne Panchasi, H-France Review How did Paris become the world favorite it is today? Charles Rearick argues that we can best understand Paris as several cities in one, each with its own history and its own imaginary shaped by dream and memory. Paris has long been at once a cosmopolitan City of Light and of modernity, a patchwork of time-resistant villages, a treasured heirloom, a hell for the disinherited, and a legendary pleasure dome. Focusing on the last century and a half, Paris Dreams, Paris Memories makes contemporary Paris understand...
