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Harlan and Anna Hubbard, newly married in middle age, build the boat of their dreams and drift down the Ohio and Mississippi rivers. Harlan is an artist and a writer with a poet's eye for the beauty of the world. Anna is a musician and an elegant master of the arts of graceful living. For seven years (1944-1951) the Hubbards make their home on their little boat, drifting with the river, camping on the land. Together they learn how to create and sustain a self-sufficient way of life that is infinitely fulfilling. It is a "river way of life"—free-flowing, endowed with the love of nature, the discovery of community, the rewards of good work, and the joy of creativity. The journal is a witness...
When Gene Logsdon realized that he experienced the same creative joy from farming as he did from writing, he suspected that agriculture itself was a form of art. Thus began his search for the origins of the artistic impulse in the agrarian lifestyle. The Mother of All Arts is the culmination of Logsdon’s journey, his account of friendships with farmers and artists driven by the urge to create. He chronicles his long relationship with Wendell Berry and discovers the playful humor of several new agrarian writers. He reveals insights gleaned from conversations with Andrew Wyeth and his family of artists. Through his association with musicians such as Willie Nelson and his involvement with Far...
This engaging story of God's work in and through one family is a testament to His unpredictability and power. Until Jim follows God's plan, he uproots his family many times due to a restlessnesss he cannot shake. Then his infant son becomes critically ill, and Jim realizes that his family is safe only in God's will.
"A striking and honest portrait of a man overcoming racism in a place that barely acknowledged its existence." —Publishers Weekly Bill Garrett was the Jackie Robinson of college basketball. In 1947, the same year Robinson broke the color line in major league baseball, Garrett integrated big-time college basketball. By joining the basketball program at Indiana University, he broke the gentleman's agreement that had barred black players from the Big Ten, college basketball's most important conference. While enduring taunts from opponents and pervasive segregation at home and on the road, Garrett became the best player Indiana had ever had, an all-American, and, in 1951, the third African Ame...
Free Fall: a Kazakhstan Journal After the collapse of the Soviet Union, the author and partner were invited to spend a year in Kazakhstan during a time when that country was changing from a central controlled economy to a free market enterprise. Brian and Mary initially worked with entrepreneurs and local politicians, the projects expanded to include arts groups, university teaching, and assisting Kazakh people returning from an 80 year diaspora in Mongolia and China. For this the author travelled almost the length and breadth of a country the size of Australia. In addition to the working environment, they were also invited into homes and many social events. Through two summers and one incredibly cold winter, the author was immersed in an unparalleled cultural change, embraced by many and bewildering to others unable to make the transition. These are the stories of real people who lived through the heavy hand of the KGB to emerge into the free fall of western culture.
First multi-year cumulation covers six years: 1965-70.
Since the publication of Shantyboat: A River Way of Life in 1953, Harlan Hubbard achieved a wide reputation as a modern-day Thoreau. Not content simply to advocate a life of simplicity and self-sufficiency, Hubbard and his wife Anna in 1944 built with their own hands a houseboat on the banks of the Ohio near Cincinnati and in 1946 set out on a leisurely, five-year journey down the Ohio and Mississippi rivers. Shantyboat, Hubbard's recounting of their journey to New Orleans, and Payne Hollow: Life on the Fringe of Society, his sequel telling of their life in a corner of rural Kentucky after their return, won him a host of readers. Shantyboat on the Bayous is the middle chapter of the Hubbard ...
Long regarded as a center for middle-American values, Indiana is also a cultural crossroads that has produced a rich and complex legal and constitutional heritage. The History of Indiana Law traces this history through a series of expert articles by identifying the themes that mark the state’s legal development and establish its place within the broader context of the Midwest and nation. The History of Indiana Law explores the ways in which the state’s legal culture responded to—and at times resisted—the influence of national legal developments, including the tortured history of race relations in Indiana. Legal issues addressed by the contributors include the Indiana constitutional tradition, civil liberties, race, women’s rights, family law, welfare and the poor, education, crime and punishment, juvenile justice, the role of courts and judiciary, and landmark cases. The essays describe how Indiana law has adapted to the needs of an increasingly complex society. The History of Indiana Law is an indispensable reference and invaluable first source to learn about law and society in Indiana during almost two centuries of statehood.
Anna Eikenhout (1902-1986) was an honors graduate of Ohio State University, a fine-arts librarian, a skilled pianist, and an avid reader in three languages. Harlan Hubbard (1900-1988), a little-known painter and would-be shantyboater, seemed an unlikely husband, but together they lived a life out of the pages of Thoreau's Walden. Much of what is known about the Hubbards comes from Harlan's books and journals. Concerning the seasons and the landscape, his writing was rapturous, yet he was emotionally reticent when discussing human affairs in general or Anna in particular. Yet it was through her efforts that their life on the river was truly civilized. Visitors to Payne Hollow recall Anna as a generous, gracious hostess, whose intelligence and artistry made the small house seem grander than a mansion.
Preparing the Next Generation of Oral Historians is an invaluable resource to educators seeking to bring history alive for students at all levels. Filled with insightful reflections on teaching oral history, it offers practical suggestions for educators seeking to create curricula, engage students, gather community support, and meet educational standards. By the close of the book, readers will be able to successfully incorporate oral history projects in their own classrooms.