You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Drawing upon a wealth of previously unexplored architectural criticism by British authors, this book reveals how arguments about architecture led to innovations in literature, as well as to redesigns in the concept of modernism itself.
Studies of the English gentleman have tended to focus mainly on the nineteenth century, encouraging the implicit assumption that this influential literary trope has less resonance for twentieth-century literature and culture. Christine Berberich challenges this notion by showing that the English gentleman has proven to be a remarkably adaptable and relevant ideal that continues to influence not only literature but other forms of representation, including the media and advertising industries. Focusing on Siegfried Sassoon, Anthony Powell, Evelyn Waugh and Kazuo Ishiguro, whose presentations of the gentlemanly ideal are analysed in their specific cultural, historical, and sociological contexts...
Compiled on the occasion of Evelyn Waugh's centenary in 2003, this collection of essays shows a renewed critical interest in the author extended by scholars from both sides of the Atlantic. The contributions go back to an international symposium held at La Rioja University, 15-17 May 2003. Apart from traditional debate over questions of fact and interpretation, the book contains innovative approaches to Waugh's oeuvre, some of which make use of theories of discourse and media studies and denote an increasingly sophisticated awareness of his religious, political, and social contexts. Beginning with those essays presenting overviews of Waugh's life and work, and continuing with discussions of particular books in chronological order, this volume deals with a wide variety of aspects that confirm Waugh's rising status as a major twentieth-century classic.
This volume was first published by Inter-Disciplinary Press in 2013. This is a multidisciplinary book on crises of all kinds from different parts of the world. Interesting? Not unless crises can be made to serve as opportunities for the future. Fifteen chapters present accounts of empirical research into personal and group crises where people have not just survived their losses and grief but have in most cases gone on to meaningful future growth. Tragedy from natural calamity, war, accident; crisis in the family and at work; despair from physical and spiritual displacement; helplessness from political and economic disenfranchisement – from Australia and America to Asia and Europe. These subjects receive expert multidisciplinary scrutiny with one common goal in mind. To account for the ways in which recovery and regrowth can take place. But this is not a book about the phoenix’s fable. It is empirical, evaluative, and pragmatic. It is about turning crises into opportunities.
Faced with the demise of their country on the world stage, with the Americanization of their society and with the prospect of integration into Europe, many people in postwar-Britain, and in particular in England, began to look more closely at their national identity. Using literature as a source material, this study investigates postwar images of Englishness as they are defined in relation not only to ‘Americans’ and ‘Europeans’, but also to other foreigners: the ‘Arabs’ and the ‘Russians.’ In the context of the Anglo-American novel particular regard is given to Englishness in Evelyn Waugh’s The Loved One and David Lodge’s Changing Places. Subsequently the book focuses on...
The early twentieth century saw a radical redrawing of Britain's social and political map as its hereditary aristocracy was pushed from the centre to the margins of the nation's affairs. This book traces the literary consequences of the modernist preoccupation with aristocracy that this social change inspired.
This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 voulme set of Critical Heritage published by Routledge in October 1995.
This book shows that a distinct form of technological madness emerged within modernist culture, transforming much of the period's experimental fiction.
As traditional social hierarchies fall away, ever steeper levels of economic inequality and the entrenchment of new class distinctions lend a new glamor to the idea of aristocracy: witness the worldwide popularity of Downton Abbey, or the seemingly insatiable public fascination with the private lives of the British royal family. This collection of new essays investigates the enduring attraction to the icon of the aristocrat and the spectacle of aristocratic society. It traces the ambivalent reactions the aristocracy provokes and the needs (political, ideological, psychological, and otherwise) it caters to in modern times when the economic power of the landed classes have been eroded and their political role curtailed. In this interdisciplinary collection, aristocracy is considered from multiple viewpoints, including British and American literature, European history and politics, cultural studies, linguistics, visual arts, music, and media studies.
The 20th century has been marked both by belief and unbelief. While attendance at church has declined dramatically, the lives of many leaders have been influenced and inspired by Christianity. Joseph Pearce explores the world of some writers in the English language who have believed. Most of those included converted to Roman Catholicism and some to Anglicanism. The list includes Oscar Wilde, Evelyn Waugh, C.S. Lewis, Malcolm Muggeridge, Graham Greene, George Bernard Shaw, H.G. Wells, Hilaire Belloc, G.K. Chesterton, Dorothy Sayers, T.S. Eliot and J.R.R. Tolkien.