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When a devastating fire engulfs Lovie Sweeney's sixty-year-old seafood business, not only do the flames consume a family legacy, but they also ignite a whirlwind of suspicion. Was it a tragic accident, or is this tight-knit family the target of a malicious attack? As Lovie finds herself scrutinized in an arson investigation, the Sweeney clan faces a medical diagnosis that threatens to redraw the family dynamics. Samantha, caught in the struggle of resurrecting the family market, is also grappling with her son’s future. Poised to graduate college, Jamie is torn between staying in his hometown of Prospect or venturing to Charleston where love beckons. Faith, aged forty-five and still bearing the emotional scars of an abusive marriage, is on a pilgrimage to discover her life's purpose. Meanwhile, Jackie's world is shaken when her son Sean drops out of college, leaving her questioning how she went wrong as a mother.
Includes Killer's Gruesome Confession! "She had beautiful legs. I wanted to keep those legs." One by one, investigators found the women's bodies. Each one carefully posed. Each one brutally mutilated. An arm here. A leg there. A breast, nipples, a tattoo. The killer was cutting his victims to pieces. . . "At that point, I pretty much went for the head." For ten years in Baton Rouge, Louisiana, the killings went on. Women of slight stature were hunted down, bludgeoned and strangled. And what the killer did with their bodies in the privacy of his car, his home, his kitchen, and his shower-was beyond anything police could imagine. "I was pure evil." When investigators finally caught mild-mannered, Star Trek fan Sean Vincent Gillis, he couldn't wait to tell his story. In the presence of shocked veteran detectives, Sean told them every detail of his killings, everything he did with the bodies. . .. And he smiled the whole time. . . Includes 16 pages of shocking photographs Warning: Contains Graphic Details
In chapters that range from solo drivers, families in trucking, and whole customized fleets to the finest nitty-gritty and cutting-edge elements of semi truck customization, this book offers a close-up look at examples of custom semis. Includes before-and-after photos of re-customized trucks; motifs in graphics and design.
Winner of the Gabrielle Roy Prize in English and the Raymond Klibansky Prize, The Picturesque and the Sublime is a cultural history of two hundred years of nature writing in Canada, from eighteenth-century prospect poems to contemporary encounters with landscape. Arguing against the received wisdom (made popular by Northrop Frye and Margaret Atwood) that Canadian writers view nature as hostile, Susan Glickman places Canadian literature in the English and European traditions of the sublime and the picturesque. Glickman argues that early immigrants to Canada brought with them the expectation that nature would be grand, mysterious, awesome – even terrifying – and welcomed scenes that confor...
The Excel Illustrated Science Dictionary Years 5&nda sh;8 provides easy-to-understand definitions of key terms used in upper primary and junior high school (Years 5, 6, 7 and 8) Au stralian Curriculum Science courses. This colourful, user-friendly book provides invaluable support for Science students. It can be used by Years 5 through 8, providing a solid grounding in scient ific terms and ideas. Features of the book: Dictionary-style layout makes it easy to locate important t erms Large, colourful diagrams and illustrations provide a help ful visual aid to understanding key terms and concepts Up-to-da te terminology ensures that the book is relevant to today's studen t Cross-referencing throughout makes it swift and simple to fin d exactly what you are looking for
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The three volumes of Always Now contain all of Margaret Avison's published books of poetry. The author has removed a very few poems: `Public Address' (from Winter Sun), `The Two Selves' and `In Eporphyrial Harness' (from The Dumbfounding), `Highway in April', `The Evader's Meditation', and `Until Christmas' (from sunblue), `Living the Shadow', `Insomnia' and `Beginning Praise' (from No Time), `Having Stopped Smoking' and `Point of Entry' (from Selected Poems). The opening section of volume one, `From Elsewhere', is arranged according to date of publication, from 1932 to 1991, the date of Selected Poems. `From Elsewhere' includes the `Uncollected' and `New Poems' of that book, except for the two noted above and `The Butterfly', which is here in its original form. All of the poems in Always Now having been considered and reconsidered, and small corrections having been made, the book contains definitively all of the published poems up to 2002 that Margaret Avison wishes to preserve.
Places and spaces -- Homes and surroundings -- Houston Heights Association events -- The arts -- Houston Heights spotlight.
The three volumes of Always Now contain all of Margaret Avison's published books of poetry. The author has removed a very few poems: `Public Address' (from Winter Sun), `The Two Selves' and `In Eporphyrial Harness' (from The Dumbfounding), `Highway in April', `The Evader's Meditation', and `Until Christmas' (from sunblue), `Living the Shadow', `Insomnia' and `Beginning Praise' (from No Time), `Having Stopped Smoking' and `Point of Entry' (from Selected Poems). The opening section of volume one, `From Elsewhere', is arranged according to date of publication, from 1932 to 1991, the date of Selected Poems. `From Elsewhere' includes the `Uncollected' and `New Poems' of that book, except for the two noted above and `The Butterfly', which is here in its original form. All of the poems in Always Now having been considered and reconsidered, and small corrections having been made, the book contains definitively all of the published poems up to 2002 that Margaret Avison wishes to preserve.