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Art of the 20th Century
The 20th century was a revolutionary period in art history. In the span of a few short years, Modernism exploded into being, disrupting centuries of classical figurative tradition to create something entirely new. This astoundingly thorough survey of art's modern era showcases all of the key artistic movements of the 20th century, from Fauvism to Pop Art, featuring illustrative examples of some of the most renowned works of the era along with illuminating companion essays by expert critics and art historians. A vivid window into the collective psyche of the modern world's great artists, Art of the 20th Century is a must-have for any fan of contemporary art.
Cubism
Les Demoiselles d’Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines - with this work, Picasso revolutionised the entire history of painting. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, painters like Juan Gris and Robert Delaunay, led by Braque and Picasso, imposed a new vision upon the world that was in total opposition to the principles of the Impressionists. Largely diffused in Europe, Cubism developed rapidly in successive phases that brought art history to all the richness of the 20th century: from the futurism of Boccioni to the abstraction of Kandinsky, from the suprematism of Malevich to the constructivism of Tatlin. Linking the core text of Guillaume Apollinaire with the studies of Dr. Dorothea Eimert, this work offers a new interpretation of modernity’s crucial moment, and permits the reader to rediscover, through their biographies, the principal representatives of the movement.
Theology in Stone
Thinking about church architecture has come to an impasse. Reformers and traditionalists are talking past each other. Statements from both sides are often strident and dogmatic. In Theology in Stone, Richard Kieckhefer seeks to help both sides move beyond the standoff toward a fruitful conversation about houses of worship. Drawing on a wide range of historical examples with an eye to their contemporary relevance, he offers new ideas about the meanings and uses of church architecture.
Collecting the Now
Collecting the Now offers a new, in-depth look at the economic forces and institutional actors that have shaped the outlines of postwar art history, with a particular focus on American art, 1960–1990. Working through four case studies, Michael Maizels illuminates how a set of dealers and patrons conditioned the iconic developments of this period: the profusions of pop art, the quixotic impossibility of land art, the dissemination of new media, and the speculation-fueled neo-expressionist painting of the 1980s. This book addresses a question of pivotal importance to a swath of art history that has already received substantial scholarly investigation. We now have a clear, nuanced understandi...
The Visual Arts in Germany, 1890-1937
This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.
Glitter and Doom
In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art. Glitter and Doom is the first publication to focus exclusively on portraits dating from the short-lived Weimar Republic. It features forty paintings and sixty drawings by key artists, including Otto Dix, Max Beckmann, and George Grosz. Their works epitomize Neue Sachlichkeit (New Objectivity)...
Modernism - Dada - Postmodernism
This new collection updates, integrates, and contextualizes Richard Sheppard's essays on the historical avant-garde. Sheppard examines responses of modernist writers, artists, and philosophers to a changed sense of reality and human nature. With its combination of previously published and new essays and its perspective on the theoretical avant-garde-modernism debate in the U.S., the volume provides the specialist and the general reader insight into European scholarly discourse on this hotly debated subject.
Deconstruction: A Reader
Philosophers 'do' 'it', literary critics 'do' 'it', even architects, poets, painters 'do' 'it'. It can involve the concepts of capital, politics, and justice. So what, after all, is deconstruction? Deconstruction: A Reader makes an answer to this question available in the only way possible - by offering a selection of breathtaking range and depth of essential texts. With more than sixty selections by fifty contributors, including nine pieces by Jacques Derrida, this is the ultimate anthology of deconstructive reading, demonstrating that deconstruction is vivid, surprising, varied, and true to the text.
The Feeling Child
The Feeling Child: Affect and Politics in Latin American Literature and Film compiles a series of essays focusing on the figure of the child within the specific context of the “affective turn” in the study of contemporary sociocultural settings across Latin America. This edited volume looks specifically at the intersection between cultural constructions of childhood and the affective turn within the contemporary sociopolitical landscape of Latin America. The editors and contributors share a common aim in furthering comprehension of the particular intensity of the child’s affective presence—spectatorial, haptic, silent, and spectral, among others—in contemporary Latin American cultu...
Der Eimert-Nachlaß
Herbert Eimert (1897-1972) hat als Komponist und Theoretiker maßgeblich die Entwicklung der zweiten Phase der Neuen Musik bestimmt. Er ist der Gründer des weltweit 1. Elektronischen Studios und des Musikalischen Nachtprogramms am Kölner Rundfunk, Verfasser mehrerer Grundlagenbücher zur Zwölfton- und seriellen Technik (atonale Musik) und hat die Webern-Renaissance angestoßen. Seinen wissenschaftlichen Nachlaß vermachte er dem Düsseldorfer Musikwissenschaftler Helmut Kirchmeyer, der jetzt daraus über vierhundert Briefe (an und von Adorno, Beck, Bresgen, Eggebrecht, Jelinek, Kagel, Krenek, Liebermann, Ligeti, Mersmann, Sadie, Stockhausen, Strobel, Stuckenschmidt, Wand, Wörner u.a.), ausführlich kommentiert und mit einem längeren biographischen Vorwort versehen vorlegt und dadurch Einblicke in unbekannte Interna der europäischen Musikgeschichte seit der Mitte des 20. Jahrhunderts ermöglicht.
