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Lars Olafson moves with his parents to the old family farm near Valley Forge, Pennsylvania, to live with his aged aunt Cass. Lars is miserable—until he meets Geordie, a ghost whose stories of the Revolutionary War are as exciting as those of an eyewitness. When Aunt Cass dies suddenly, Lars is faced with a mystery linked to the Revolutionary War—and Geordi’s ghostly stories are his only chance of solving it.
Henry Cowell: A Man Made of Music is the first complete biography of one of the most innovative figures in twentieth-century American music. It explores in detail the complexities and impact of his life, work, and teachings.
The Rider of the White Horse (1888) is a classic German novella, in which the individual wrestles with the mass, the man with the most elementary forces of nature. It is Theodor Storm's (1817-1888) last complete work. --- The scene of the novella is characterized with vividness and grandeur in its setting of marsh and sea. Like the stories of Storm's youth, it glorifies love, the love of two beings who are faithful to each other unto death, and at the same time it touches themes which deeply occupied Storm, such as the problem of heredity or the relation between father and son. The charm of youth, to which Storm was always most susceptible, invests the chief characters, and they have that ch...
Fourteen-year-old Ipa struggles to survive a brutal time of change as the Spanish begin the conquest of the native people along the Texas border.
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When Margaret Sanger returned to Europe in 1920, World War I had altered the social landscape as dramatically as it had the map of Europe. Population concerns, sexuality, venereal disease, and contraceptive use had entered public discussion, and Sanger's birth control message found receptive audiences around the world. This volume focuses on Sanger from her groundbreaking overseas advocacy during the interwar years through her postwar role in creating the International Planned Parenthood Federation. The documents reconstruct Sanger's dramatic birth control advocacy tours through early 1920s Germany, Japan, and China in the midst of significant government and religious opposition to her ideas...
Downing s highly original, thorough, and rewarding book is certain to emerge as an indispensable critical reference-point for scholars and students in the areas of narrative theory, problems of realism, and 19th-century German prose. . . . A nearly ideal combination of intellectual scope, erudition, and originality. Thomas Pfau, Duke University To write an engaging and entertaining study of German or poetic realism that offers insightful and differentiated readings of the novellas of Stifter, Storm, Keller, C.F. Meyer, and Raabe through the lenses focused on repetition of narratology, Critical Theory, and psychoanalysis and, to a leser extent gender studies, is without a doubt a daunting endeavor. This study, with its keen analysis of the doubling within German realist texts, is equal to the task. . . . While this book is written to engage and challenge scholars of realism, the clarity of Downing s prose makes the textual twists and turns, and thus the study as a whole, equally accessible to non-specialists. German Studies Review"
Reproduction of the original: German Fiction by William Allan Neilson