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Architecture, Ethics, and the Personhood of Place
Architecture and environmental design are among the last professional fields to develop a sustained and nuanced discussion concerning ethics. Hemmed in by politics and powerful clients on one side and the often unscrupulous practices of the construction industry on the other, environmental designers have been traditionally reluctant to address ethical issues head on. And yet the rapid urbanization of the world's population continues to swell into new megacities, each less healthy, welcoming, secure, or environmentally sustainable than the next. Green, carbon-reduced, and sustainable building practices are important ways architects have recently responded to the symptoms of the crisis, but ar...
The Douglas Cardinal Architectural Drawings
Whatever the actual impact on architecture of Post Modern thought -- increasingly seeming more a revisionist phase, than the termination of the Modernist enterprise -- its critique of rationalist and reductionist orthodoxies has been significant. That critique has reverberated through the career of Douglas Cardinal. Initially, he overcame ethnically based opposition as a student in the rigorously Functionalist School of Architecture at the University of British Columbia (1953-1954). Eventually, he would garner two major federal commissions in Canada and the United States for buildings that reinstate the marginalized First Nations Peoples in the institutional memory of both nations. -- from the Introduction by Rhodri Windsor Liscombe. The publication of this inventory provides a timely and necessary reference tool for all those who wish to understand and research the early years and development of this remarkable Canadian architect. The holdings of the Canadian Architectural Archives focus on the architecture of twentieth-century Canada and the work of its outstanding architects.
Hidden in Plain Sight
The history of Aboriginal people in Canada taught in schools and depicted in the media tends to focus on Aboriginal displacement from native lands and the consequent social and cultural disruptions they have endured. Collectively, they are portrayed as passive victims of European colonization and government policy, and, even when well intentioned, these depictions are demeaning and do little to truly represent the role Aboriginal peoples have played in Canadian life. Hidden in Plain Sight adds another dimension to the story, showing the extraordinary contributions Aboriginal peoples have made and continue to make to the Canadian experience. From treaties to contemporary arts and litera...
Hidden in Plain Sight
The history of Aboriginal people in Canada taught in schools and depicted in the media tends to focus on Aboriginal displacement from native lands and the consequent social and cultural disruptions they have endured. Collectively, they are portrayed as passive victims of European colonization and government policy, and, even when well intentioned, these depictions are demeaning and do little to truly represent the role Aboriginal peoples have played in Canadian life. Hidden in Plain Sight adds another dimension to the story, showing the extraordinary contributions Aboriginal peoples have made - and continue to make - to the Canadian experience. From treaties to contemporary arts and literatu...
Twelve Modern Houses, 1945-1985
This publication, part of the ongoing mandate of the Canadian Architectural Archives to examine the characteristics of Canadian architecture as reflected in the collections of the University of Calgary Library, examines twelve architect-created houses designed between the 1940s and the 1980s for several distinct regions of Canada. The architects chosen number among the most prolific and best known in Canada who were working during this period, including Raymond T. Affleck, Raymond Moriyama, Arthur Erickson, Douglas Cardinal, John B. Parkin Associates, and Patkau Architects.Other architects with perhaps a more regional reputation have also been included, such as the Vancouver-based firm of McCarter & Nairne, Calgary's Jack Long, and Edmonton's Peter Hemingway.Apart from the documentation of the twelve houses (drawings and photos), there are interpretative essays on each. A co-authored introductory essay explores several related themes: modernity, the contemporary house, approaches to landscape, and the role of drawings in contemporary practice.
Renaissance II
The material in this publication was collected in the context of the Millennium Conferences on Creativity in the Arts & Sciences, a series of events staged in 1999 and 2000 to help mark the arrival of the new millennium. The publication includes selected speeches, papers, biographical sketches, background information, quotes, and stories related to the Millennium Conferences and its themes. Themes represented in this material include the arts/science alliance, creativity & children, how creativity applies to science, the impact of artistic capacity, the spiritual warrior, the linkage of creators & scientists in the National Research Council, the link between the brain & the creative mind, and support for arts education.
The Handbook of Contemporary Indigenous Architecture
This Handbook provides the first comprehensive international overview of significant contemporary Indigenous architecture, practice, and discourse, showcasing established and emerging Indigenous authors and practitioners from Australia, Aotearoa New Zealand, the Pacific Islands, Canada, USA and other countries. It captures the breadth and depth of contemporary work in the field, establishes the historical and present context of the work, and highlights important future directions for research and practice. The topics covered include Indigenous placemaking, identity, cultural regeneration and Indigenous knowledges. The book brings together eminent and emerging scholars and practitioners to...
The Testimonial Uncanny
Through the study of Indigenous literary and artistic practices from Canada, Australia, New Zealand, and the United States, Julia V. Emberley examines the ways Indigenous storytelling discloses and repairs the traumatic impact of social violence in settler colonial nations. She focuses on Indigenous storytelling in a range of cultural practices, including novels, plays, performances, media reports, Internet museum exhibits, and graphic novels. In response to historical trauma such as that experienced at Indian residential schools, as well as present-day violence against Indigenous bodies and land, Indigenous storytellers make use of Indigenous spirituality and the sacred to inform an ethics of hospitality. They provide uncanny configurations of political and social kinships between people, between the past and the present, and between the animate and inanimate. This book introduces readers to cultural practices and theoretical texts concerned with bringing Indigenous epistemologies to the discussion of trauma and colonial violence.
