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West-words
West-words gives the reader a bird's-eye view of the contemporary theatre scene across the prairies.
Coconut
In her debut collection, Canadian National Slam Champion Nisha Patel commands her formidable insight and youthful, engaged voice to relay experiences of racism, sexuality, empowerment, grief, and love. These are vitally political, feminist poems for young women of colour, with bold portrayals of confession, hurt, and healing. Coconut rises fiercely like the sun. These poems bestow light and warmth and the ability to witness the world, but they ask for more than basking; they ask readers to grow and warn that they can be burnt. Above all, Nisha Patel's work questions and challenges propriety and what it means to be a good woman, second-generation immigrant, daughter, consumer, and lover.
Icefields
In 1898, Doctor Edward Byrne slips on the ice of the Arcturus glacier in the Canadian Rockies and slides into a crevasse, wedged upside down nearly sixty feet below the surface. As he fights losing consciousness, a stray beam of sunlight illuminates the ice in front of him and Byrne sees something in the blue-green radiance that will forever link him to the ancient glacier. In this moment, his life's purpose becomes uncovering the mystery of the icefield that almost was his tomb. Along the way, he encounters similarly fixated individuals, each immersed in their own quest: the healer and storyteller Sara; the bohemian travel writer Freya Becker; the entrepreneur Trask; the poet Hal Rowan; and...
Last Tide
Ana and Win find themselves stuck, lifting the weight of their pasts, while frustrated by their present jobs: photographing vacant lots and decayed industrial sites, cataloguing the decline of capitalist excess to digitally scrub away humanity, making way for more gentrification. When the pair is sent by their employers to a rustic island in the Pacific Northwest--home to hippies, runaways, and survivalist preppers--they meet Lena, an oceanographer and climate scientist, who has moved to the island in search of "the big one," the cataclysmic earthquake and tsunami that she knows is the island and the West Coast's due; and Kitt, an athleisure clothing mogul, who is overseeing the construction of a vacation home that will serve as his apocalypse-shelter. These four people's lives intertwine as a police investigation throws life on the island into disarray, as activists and agents provocateurs take action, as dormant fault lines begin to tremble. Andy Zuliani's Last Tide is a vital debut novel is an edgy glimpse at a world just beyond tomorrow, and a sharp reminder of what society deems valuable.
The Literary History of Alberta Volume Two
In this, the companion to the landmark volume The Literary History of Alberta, Volume One: From Writing-on-Stone to World War Two, George Melnyk examines Alberta literature in the second half of the twentieth century. At last, Melnyk argues, Alberta writers have found their voice—and their accomplishments have been remarkable. The contradictory landscape, the stereotypes of the Indian, the Mountie, and the Cowboy, and the language of the Other, speaking from the margins—these elements all left their impressions on the consciousness of early Alberta. But writers in the last few decades have turned this inheritance to their advantage, to create compelling stories about this place and its people. Today, Melnyk discovers, Alberta writers can appreciate not only this achievement, but also its essential source: the symbolic communication of Writing-on-Stone. The Literary History of Alberta, Volume Two extends the study of Alberta's cultural history to the present day. It is a vital text for anyone interested in Alberta's vibrant literary culture.
Taken by the Muse
Laced with humour and revelation, Anne Wheeler's creative non-fiction stories tell of her serendipitous journey in the seventies, when she broke with tradition and found her own way to becoming a filmmaker and raconteur. Join this celebrated screenwriter and director as she travels south of Mombasa after calling off her wedding; attempts to gain acceptance in a male-dominated film collective; travels to India to visit friends who are devoted to a radical Master, and ultimately discovers her sense of purpose and passion close to home, sharing stories that would otherwise be lost about ordinary people living extraordinary lives. Taken by the Muse: On the Path to Becoming a Filmmaker is a must-read for anyone open to exploring the possibilities of who they are and what they might do with their lives - and for those who love a good story told with integrity and warmth.
Finding Nothing
Finding Nothing explores the eruption of avant-garde writing in Vancouver that re-invented the culture of the city in the second half of the twentieth century.
Caterina Edwards
With the publication of The Lion's Mouth in 1982, Caterina Edwards made her mark as a novelist. Edward's works include short stories, novellas and a play and explore questions of identity for men and women. This is the first book on her literary achievement.
Narratives of Citizenship
Examining various cultural products-music, cartoons, travel guides, ideographic treaties, film, and especially the literary arts-the contributors of these thirteen essays invite readers to conceptualize citizenship as a narrative construct, both in Canada and beyond. Focusing on indigenous and diasporic works, along with mass media depictions of Indigenous and diasporic peoples, this collection problematizes the juridical, political, and cultural ideal of universal citizenship. Readers are asked to envision the nation-state as a product of constant tension between coercive practices of exclusion and assimilation. Narratives of Citizenship is a vital contribution to the growing scholarship on narrative, nationalism, and globalization. Contributors: David Chariandy, Lily Cho, Daniel Coleman, Jennifer Bowering Delisle, Aloys N.M. Fleischmann, Sydney Iaukea, Marco Katz, Lindy Ledohowski, Cody McCarroll, Carmen Robertson, Laura Schechter, Paul Ugor, Nancy Van Styvendale, Dorothy Woodman, and Robert Zacharias.
Diasporic Subjectivity and Cultural Brokering in Contemporary Post-Colonial Literatures
Diasporic writing simultaneously asserts a sense of belonging and expresses a sense of being 'ethnic' in a society of immigration. The essays in this volume explore how contemporary diasporic writers in English use their works to mediate this dissonance and seek to work through the ethical, political, and personal affiliations of diasporic identities and subjectivities. The essays call for a remapping of post-colonial literatures and a reevaluation of the Anglophone literary canon by including post-colonial diasporic literary discourses. Demonstrating that an intercultural dialogue and constant cultural brokering are a must in our post-colonial world, this volume is a valuable contribution to the ongoing discourse on post-colonial diasporic literatures and identities.
