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This impressive volume provides over 1,700 biographical entries on poets writing in English from 1910 to the present day, including T. S. Eliot, Dylan Thomas, and Carol Ann Duffy. Authoritative and accessible, it is a must-have for students of English and creative writing, as well as for anyone with an interest in poetry.
Midgic is a small community on the edge of New Brunswick's Tantramar marshes, thought by historian William Francis Ganong to have been named for a Mi'kmaq descriptive for "a point of highland into a marsh." In this new suite of poems, Douglas Lochhead displays the sure, grid-laying eye of the archeologist, mapping each small detail in his concise lyric shorthand. Like Lochhead's High Marsh Road (1980) and Dykelands (1989), Midgic employs a method of repeated encounters with a specific place to reveal over time a rhythm and logic otherwise invisible in both the landscape and the visitant. Lochhead's gift lies in his ability to amplify the truths of the greater world while speaking of a single place in whispers.
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In Faking Death Penny Cousineau-Levine examines the work of over 120 Canadian photographers, revealing important aspects of Canadian identity and imagination. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is elsewhere, a doubling and duality that also occurs in Canadian literature, film and political life. Subverting the documentary tradition and other stylistic idioms for their own distinctive ends, Canadian photographers exhibit an ambivalent preoccupation with death and dying, bondage, and entrapment. Cousineau-Levine argues that this is characteristically a faked death that expresses a collective Canadian wish for a symbolic passage to national maturity. The book includes 16 colour reproductions and 150 duotones by artists such as Raymonde April, Jeff Wall, Lynne Cohen, Charles Gagnon, Evergon, Michel Lambeth, Thaddeus Holownia, Geoffrey James, Genevi ve Cadieux, Shelley Niro, Diana Thorneycroft, Jin-me Yoon, Ian Wallace, and Ken Lum. This work provides a visual introduction to one of Canada's most vibrant and internationally recognized artistic media.
The Names of Things is a book about a man and a generation. Born to a working-class family in Toronto, David Helwig grew up in the haunted town of Niagara-on-the-Lake long before it became a fashionable summer destination for charter coaches of American tourists. David won a scholarship from General Motors to attend the University of Toronto and launched himself into theatrical productions at Hart House and mingled with such writers as John Robert Colombo, Henry Beissel, Edward Lacey, David Lewis Stein and Edna Paris. After working in summer stock with young actors including Timothy Findley, Gordon Pinsent and Jackie Burroughs, he spent a couple of years in the suburbs of Birkenhead, then mo...
The tarnished reputation of this turn-of-the-century poet is persuasively burnished anew by fifteen scholars, editors, and poets. Published in English.
For four centuries, dykes held back the largest tides in the world, in the Bay of Fundy region of New Brunswick and Nova Scotia. These dykes turned salt marsh into arable land and made farming possible, but by the 1940s they had fallen into disrepair. Against the Tides is the never-before-told story of the Maritime Marshland Rehabilitation Administration (MMRA), a federal agency created in 1948 to reshape the landscape. Although agency engineers often borrowed from long-standing dykeland practices, they were so convinced of their own expertise that they sometimes disregarded local conditions, marginalizing farmers in the process. The engineers’ hubris resulted in tidal dams that compromised some of the region’s rivers, leaving behind environmental damage. This book is a vivid, richly detailed account of a distinctive landscape and its occupants, revealing the push–pull of local and expert knowledge and the role of the state in the postwar era.
"New offers an unconventionally structured overview of Canadian literature, from Native American mythologies to contemporary texts." Publishers Weekly A History of Canadian Literature looks at the work of writers and the social and cultural contexts that helped shape their preoccupations and direct their choice of literary form. W.H. New explains how – from early records of oral tales to the writing strategies of the early twenty-first century – writer, reader, literature, and society are interrelated. New discusses both Aboriginal and European mythologies, looking at pre-Contact narratives and also at the way Contact experience altered hierarchies of literary value. He then considers re...
A new edition of a classic North American text on the image of the Native in non-Native culture.