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Architectures of Fire
Papers presented here originate from a session held during the 2015 Annual Meeting of the European Association of Archaeologists (Glasgow). The contributors attempt to present the entanglement between the physical phenomenon of fire, the pyro-technological instrument that it is, its material supports, and the human being.
Early Farmers, Late Foragers, and Ceramic Traditions
This work presents the most recent views on a subject of primordial importance for all students of history: the understanding of humankind’s process of becoming, viewed through the study of the beginnings of pottery in the late forager, and early farmer societies of Europe. It is a collection of essays, by some of the prominent European scholars and young dynamic archaeologists whose works focus on the early European and Middle Eastern pottery, intended to present a new perspective on the rise of a new technology in prehistory. With the breadth, variety and novelty of the approaches presented, “Early farmers, late foragers and ceramic traditions. On the beginning of pottery in Europe” is a fascinating read for scholars, as well as for the public at large.
Art in the Archaeological Imagination
The book discusses the creative mental processes of the prehistoric and contemporaryartists, as well as of the archaeologists studying them from the perspective ofcognition and art. Its intention is to highlight the artistic thinking within theimagination of the archaeologist, as well as to discuss the concepts of imagination andart in the current scientific research.From this perspective the book suggests a type of research closer to the complexity ofthe human nature and human thinking that can approach cultural and psychologicalsubjects ignored until now.It is hoped that one of the results of the book will be the formulation of new meaningsfor art from the perspective of archaeology.Respon...
Lands of the Shamans
Lands of the Shamans, through carefully selected case studies from Europe, uses the archaeological evidence to construct the shamans' worldview, landscape, and cosmology.
Artistic Practices and Archaeological Research
'Artistic Practices and Archaeological Research' aims to expand the field of archaeological research with an anthropological understanding of practices which include artistic methods. The project has come about through a collaborative venture between Dragos Gheorghiu (archaeologist and professional visual artist) and Theodor Barth (anthropologist). This anthology contains articles from professional archaeologists, artists and designers. The contributions cover a scale ranging from theoretical reflections on pre-existing archaeological finds/documentation, to reflective field-practices where acts of 'making' are used to interface with the site. These acts feature a manufacturing range from ce...
Archaeology Experiences Spirituality?
This book’s aim is to go beyond the limits of the contemporary scientific paradigm of “material culture” by presenting some of the issues confronting archaeology, as it attempts to approach the spirituality of the past. It brings together archaeologists from Western and Eastern Europe, and the USA who, more or less obviously, have used their experientiality to approach the world view and mystic experience of ancient peoples. The book intends to present several arguments in support of an archaeology of spirituality through a series of seven case studies. What method should we use to approach spirituality? Are we still dependent on quantitative methods? Is phenomenology an appropriate in...
The Archaeology of People and Territoriality
Place and territoriality have become key archaeological concepts over the last decade or so, and in this volume sixteen essays explore the ways in which place is created and how it reflects and shapes ancient societies. Case studies are mostly prehistoric with a global scope, including the phenomenology of rock art in New South Wales, the use of fire as a ritual marker of place in prehistoric Europe and Papua New Guinea, the design of irrigation systems in Chile, sacred space and heritage in Wisconsin, the transmission of symbols from late Mesolithic material culture to the Neolithic LBK, the siting of holy wells in medieval England, the organisation of space in late Bronze Age and Iron Age Slovenia, the siting of cursus sites, as well as more theoretical papers, which seek to define terminology and are in some cases critical of the way that place and territoriality have previously been used.
Working with the Past
Recycling is a basic anthropological process of humankind. The reutilization of materials or of ideas from the Past is a process determined by various natural or cultural causes. Recycling can be motivated by a crisis or by a complex symbolic cause like the incorporation of the Past into the Present. What archaeology has not insisted upon is the dimensional scale of the process, which operates from the micro-scale of the recycling of the ancestors' material, up to the macro-scale of the landscape. It is well known that there are direct relations between artefacts and landscapes in what concerns the materiality and mobility of objects. An additional relation between artefact and landscape may be the process of recycling. In many ways artefact and landscape can be considered as one aspect of material culture, perceived at a different scale, since both have the same materiality and suffer the same process of reutilisation. This book invites archaeologists to approach the significant process of recycling within the archaeological record at two different levels: of artefacts and of landscape.
The Archaeology of Fire
This volume offers students and researchers a range of papers that deliberately question some of the traditional views associated with the role of fire. In the past, fire and the hearth usually represented a means of cooking, heat and illumination. Moreover, the evidence of fire and its functionality was relegated to the miscellaneous sections of the archaeological literature. However, it is clear form this volume that the role of fire extends beyond a mere functional one. Fire is meaningful, powerful and supernatural and was integral to the successful development of past societies.
Ceramic Studies
Ten papers deriving from the session aeCeramics in the New MillenniumAE presented at the 2002 EAA Conference in Thessaloniki. Contents: 1) Introduction: One more contribution on ancient ceramics (Dragos Gheorghiu); 2) The Threshold model for ceramic resources: A Refinement (Dean E. Arnold); 3) Some Approaches to Ceramic Study (Ludmila Koryakova); 4) Technological Chain and Visibility: Ceramic Styles and Social Changes in Late Prehistory in the North-West Iberian Peninsula (Maria Pilar Prieto-Martinez); 5) On Chalcolithic Ceramic Technology: A Study Case from the Lower Danube Traditions (Dragos Gheorghiu); 6) Basal Motifs on Bronze Age Pottery across the Eurasian Steppe (Karlene Jones-Bley); 7) La Ceramique de lAEAge du Bronze Moyen et Recent en Italie Nord-Occidentale (Laura Domanico); 8) Iron Age Ceramics in Western France: A Multidisciplinary Approach (Marie-Yvane Daire and Guirec Querre); 9) Ceramic Researches in Northern Etruria: Archaeological and Archaeometric Aspects (Simonetta Menchelli, Claudio Capelli and Marinella Pasquinucci); 10 Material Values Past and Present: The Intellectual History of the Study of Greek Ceramics (Michael Vickers).
