You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Dublin Corporation, the city's council, was an ancient and prestigious body. In 1840 its system of voting was reformed to allow for more representation by Catholics and in 1841 Daniel O'Connell was elected its Lord Mayor. At the end of the century the boundaries of the city were significantly extended. The intervening sixty years saw the corporation struggle to find a role for itself. Could it be a 'civic parliament', a place where national issues were debated in the absence of self-government? Could it manage efficiently to run a debt-ridden city with a crumbling infrastructure? Could it find a solution to the city's pressing need for a new water supply? Would it sink into conflict over party politics or religious differences? Might it become merely the instrument of outside political forces? This book tells story of Dublin Corporation for the first time, focusing on the visions and conflicts of its members.
Dublin Corporation was dissolved by the Free State Government on 20 May 1924, following an inquiry in the Mansion House. According to one prominent historian, the decision to dissolve Dublin Corporation was not clear-cut and seemed 'to give some credence to the belief that the Cosgrave government was determined to reduce the autonomy of local authorities.' This is the first book on this intriguing topic and provides an insight into a controversial and far-reaching episode. [Subject: twentieth-century Irish history; Dublin]
A new addition to the Irish Treasure Series, by Dublin City Archaeologist Ruth Johnson, Viking Dublin explores the legacy of one of Dublins oldest and most influential group of settlers.
Dublin's Georgian squares are 18th-century architectural gems and this is the first publication to examine each of them in detail. Essays by conservation architects describe the planning, design and construction of Parnell, Mountjoy, Merrion, Fitzwilliam and Mountpleasant Squares, giving an overview of each and focusing on notable houses and interiors, along with the central parks, mews buildings and street furniture. With contributions from Mary Bryan, Anthony Duggan, John Heagney, Loughlin Kealy, Nicola Matthews and Susan Roundtree. An introductory essay by Professor Loughlin Kealy, School of Architecture, UCD, places these developments in the overall context of Georgian Dublin.
During the 20th century, Dublin Corporation transformed the urban landscape of Dublin. Its many housing developments sought to end a housing and public health crisis of immense proportions, the legacy of the nineteenth century. Its early engagement with the housing crisis was tentative and involved mostly small inner city schemes, many of which are unknown to present-day Dubliners. Yet, these schemes were built well and most continue to be lived in and appreciated. This book is a commemoration and an analysis of the early schemes from the 1880s to the late 1920s. These are examined in some detail and the book is comprehensively illustrated with maps, photographs and block plans. Housing policy evolved during this time and the reader will learn that the issues faced and the solutions found remain relevant to the present day. The reader will also meet many of the significant people who shaped the city; people such as Charles Cameron, H.T. O'Rourke and P.C. Cowan. The text ends with a detailed account of Marino and Drumcondra. These schemes, especially the former, represent the culmination of policy development and were seen as models for the future.
Sarah Cecilia Harrison (1863-1941) was one of Dublin's finest portrait painters but also immersed herself in the political and social fabric of Dublin life, becoming the first female City Councillor in 1912. Deeply involved in philanthropic, political, civic and artistic efforts, she was a staunch supporter and ally of Hugh Lane in the establishment of a modern art gallery for Dublin. In tandem with her artistic talents, Harrison was a progressive and enlightened woman but her contribution to the cultural and political life of Dublin has previously been overlooked. This publication, generously illustrated with paintings by Harrison, will restore and champion Harrison's position as a woman who not only was a notable artistic talent but also made major contributions to the social and cultural fabric of Dublin life.