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Star Troupe
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Fun! Fun!! Fun!!!
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Richard Dyer-Bennet
In the 1940s and '50s, Richard Dyer-Bennet (1913-1991) was among the best known and most respected folk singers in America. Paul O. Jenkins tells, for the first time, the story of Dyer-Bennet, often referred to as the "Twentieth-Century Minstrel." Dyer-Bennet's approach to singing sounded almost foreign to many American listeners. The folk artist followed a musical tradition in danger of dying out. The Swede Sven Scholander was the last European proponent of minstrelsy and served as Dyer-Bennet's inspiration after the young singer traveled to Stockholm to meet him one year before Scholander's death. Dyer-Bennet's achievements were many. Nine years after his meeting with Scholander, he became the first solo performer of his kind to appear in Carnegie Hall. This book argues Dyer-Bennet helped pave the way for the folk boom of the mid-1950s and early 1960s, finding his influence in the work of Joan Baez, Judy Collins, and many others. It also posits strong evidence that Dyer-Bennet would certainly be much better known today had his career not been interrupted midstream by the anticommunist, Red-scare blacklist and its ban on his performances. .
The Gangs of New York
The Gangs of New York is a tour through a now unrecognisable city of abysmal poverty and habitual violence cobbled from legend, memory, police records, the self-aggrandizements of aging crooks, popular journalism, and solid historical research. Asbury pre
Discography of OKeh Records, 1918-1934
This discography documents all recordings made by this pioneering and influential record label which was active in many areas - popular, jazz, blues, country, and ethnic music during a formative and dynamic period in America's cultural history just before and during the 1920s on into the early 1930s. All known 78rpm record releases in the United States, Britain, Canada, Australia, and Japan are detailed. Also included is an essay on the history of the various corporate entities that produced the OKeh label during its initial period of operation with special emphasis on the activities of the record company in making many field recordings in locations throughout the United States and Hawaii. Laird and Rust's book is primarily comprised of an extensive bibliography and a comprehensive artist index. This publication is the definitive volume on a legendary and influential record company which played a vital part in recording many great artists including some who are still recognized as some of the finest exponents of their particular musical styles.
Burnt Cork and Tambourines
Includes the seminal "Early History of Negro Minstrelsy," by Col. T. Allston Brown, together with pen-and-ink portraits of the major minstrels, and a comprehensive index.
