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PERKEMBANGAN PESERTA DIDIK (TINJAUAN TEORI DAN PRAKTIS)
Seorang anak tidak langsung bisa bicara saat baru lahir. Tidak ada juga manusia yang langsung bisa mengendarai mobil tanpa terlebih dahulu belajar. Proses belajar membantu manusia menguasai pengetahuan dan keterampilan. Penguasaan pengetahuan dan keterampilan juga perlu dilakukan secara bertahap. Tahapan tersebut disesuaikan dengan tingkat Perkembangan peserta belajar. Oleh sebab itu mengetahui dengan baik karakteristik perkembangan peserta didik sangat penting. Pengetahuan tersebut dapat membantu para fasilitator proses belajar untuk merancang dan menerapkan cara-cara yang tepat untuk mendukung tercapainya keberhasilan hasil belajar yang maksimal. Buku ini ditulis melalui kolaborasi para pe...
Tambera
It is 1600 and Dutch merchants are welcomed to the Banda islands. But, in the space of three years, Bandanese society changes as its people succumb to the temptations of Western materialism--a process that leads inevitably to social dissension and, finally, to rebellion. Written during the dying days of the Netherlands East Indies, Tambera is Utuy Tatang Sontani's most seminal work. In looking back to the beginnings of colonialism in the Indies, Sontani anticipates many of the philosophical and moral challenges that still confronted the nascent republic of Indonesia, three hundred and fifty years later.
A Systems Approach to Language Pedagogy
This volume represents the first attempt in the field of language pedagogy to apply a systems approach to issues in English language education. In the literature of language education, or more specifically, second or foreign language learning and teaching, each topic or issue has often been dealt with independently, and been treated as an isolated item. Taking grammar instruction as an example, grammatical items are often taught in a sequential, step-by-step manner; there has been no â€road map†in which the interrelations between the various items are demonstrated. This may be one factor that makes it more difficult for students to learn the language organically. The topics covered in this volume, including language acquisition, pedagogical grammar, and teacher collaboration, are viewed from a holistic perspective. In other words, language pedagogy is approached as a dynamic system of interrelations. In this way, â€emergent properties†are expected to manifest. This book is recommended for anyone involved in language pedagogy, including researchers, teachers, and teacher trainers, as well as learners.
Karyamin's Smile (Versi Bahasa Inggris)
This short story collection contains 13 short stories by Ahmad Tohari which were written between 1976 and 1986. Like his previous works, in this collection Tohari stays true to his path and presents the village life as well as the daily struggles of the poor and innocent people. As what has been described in the “Foreword”, Tohari’s strength lies in the village setting which is rich with intricate details about the local plants and animals. Apart from that, Tohari’s style is clear, direct, and simple although his stories also apply strong metaphors and irony.
Fireflies in Manhattan
Born in Ngawi, East Java, in 1932, Umar Kayam obtained his masters degree from New York University and his doctoral degree from Cornell University. It was there, in New York, where he began to hone his literary skills. The publication of his first collection of short stories, A Thousand Fireflies in Manhattan, in 1972, gained him national fame as a short story writer. The light and semi-ironic tone of Kayam's "New York stories," in which the author viewed an archetypal cast of New York characters through the lens of a nai ve Indonesian outsider vanished completely in the next phase of the author's career when he dealt with the impact of the incarceration and killings of hundreds of thousands...
The Red Bekisar
Half-Japanese and half-Javanese Lasi flees from the constraints of her small village to find herself enmeshed in the political corruption of Jakarta. *** The bekisar is a fine crossbreed between jungle fowl and domestic chicken that adorns the houses of the wealthy. Lasi, whose father was a Japanese soldier, fair skinned and beautiful, is such an acquisition for a rich man in Jakarta. She is born in a village where the main source of income is tapping coconut palms for their rich sap, or nira. Her life takes an unexpected turn when she is betrayed by her husband and flees to Jakarta. She meets Mrs. Lanting, procuress for men in high government and social circles, who sells her to the rich Handarbeni. Lasi enjoys the new splendor as a much-desired ornament, but is alarmed when she discovers the marriage is a sham. Kanjat, a childhood friend, is now grown into a man. Lasi and Kanjat rediscover their affection for each other. Their bond is the village, its people and traditions. They struggle to free Lasi from a net of power, corruption, and deceit.
Earth Dance
"Earth Dance," the story of four generations of Balinese women, centers on conflicts that arise between the demands of caste and personal desires. Narrated by Ida Ayu Telaga, a Balinese woman in her thirties, the novel shows Balinese women-as depicted by her mother, grandmother and female peers-to be motivated by two factors: the yearning to be beautiful, and the desire for a high-caste husband. Headstrong Telaga defies her mother's wishes and marries the man of her dreams, who is a commoner. Thus, in a reversal of societal expectations, as shown in the novel by images of women who aspire to "liberation" through "marrying up," Telaga's emancipation is implicitly characterized as a move downwards, through transformation to the status of a commoner. "Earth Dance" also reveals that-like high-caste status-beauty, too, has a price. Behind the thick, glossy hair and golden complexion, lies a web of jealousy, derision and intrigue. Telaga, whose life is controlled by her mother's avarice, her mother-in-law's bitterness and the greed of her sister-in-law, has frequent cause to wonder: "Is this what it means to be a woman?"
My Name is Mata Hari
At the turn of the twentieth century, exotic dancer Mata Hari lived and loved by her own rules. *** My Name is Mata Hari tells the story of the infamous dancer and courtesan who began as Margaretha Geertruida Zelle, a young Dutch woman who married the older Rudolph MacLeod, a military officer, and traveled with him to the Dutch East Indies. Claiming her mother's Javanese ancestry, she changed her name to Mata Hari, Malay for "eye of the day." Mata Hari danced on stages across Europe and the Middle East, and took many high-ranking military and government officials as her lovers. At the end of a tumultuous life, convicted for espionage during the First World War yet sustained by her pride, she said, "I am a genuine courtesan. And I am a dancer in the true sense." *** Remy Sylado is the pen name of noted Indonesian novelist, poet, playwright, and musician, Yapi Tambayong. He also wrote the screenplay for the award-winning film, Ca Bau Kan (2002). Novelist and journalist Dewi Anggraeni delivers a creative rendition of startling depth and sensitivity for the first of Sylado's novels to appear in English.
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