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Trade and Taboo
Applies new methodological approaches to the study of ancient history
We Inspire Me
The best thing a creative person can have is a crew of friends, allies, and mentors to support them. Packed with inspiration and ideas from author-illustrator Andrea Pippins, this is a one-of-a-kind handbook for doers and makers looking to expand and nourish their creative community. Drawing on her own network of talented artists, designers, and friends, Pippins offers tips on how to: reach out to your heroes; use your art or work to empower your community; learn about a new culture and shake up your perspective; take a class, join a team, plan brunch—have fun! And she delivers her advice in style. Colorful pages feature patterns, portraits, and hand-lettered quotes alongside tips for fostering genuine connections and supportive relationships.
Easy Money
Are you in control of your financial destiny? Is your financial house a fortress of calm and stability even in a time of global economic storm? Easy Money gives you the tools and confidence to be your own financial boss. Handling money is akin to putting together a gigantic jigsaw puzzle it requires visualizing and assembling numerous tiny pieces. Regardless of your earnings, you can be your own boss by: spending like millionaires; getting loans on your own terms; having an edge over your peers in education; having the gift to spot business opportunities; buying the right securities and selling at the right time; understanding the intricacies of real estate transactions; keeping your body and teeth in shape to stay out of health clinics; being conscious of what you spend on transportation; and starting early to incubate your nest egg. Yes! Putting together a high net worth cash position takes work. And Easy Money is there to help. Phenomenal wealth is accumulated by those who have the right knowledge the knowledge that creates wealth.
The Minute Man
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Not All Dead White Men
A Times Higher Education Book of the Week A virulent strain of antifeminism is thriving online that treats women’s empowerment as a mortal threat to men and to the integrity of Western civilization. Its proponents cite ancient Greek and Latin texts to support their claims—from Ovid’s Ars Amatoria to Seneca and Marcus Aurelius—arguing that they articulate a model of masculinity that sustained generations but is now under siege. Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online. “A chilling account of trolling, misogyny, racism, and bad history proliferated online by ...
Hearings
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The Collector of Treasures
Botswana village tales about subjects such as the breakdown of family life and the position of women in this society.
The Future of China's Bond Market
China’s bond market is destined to play an increasingly important role, both at home and abroad. And the inclusion of the country’s bonds in global indexes will be a milestone for its financial market integration, bringing big opportunities as well as challenges for policymakers and investors alike. This calls for a good understanding of China’s bond market structure, its unique characteristics, and areas where reforms are needed. This volume comprehensively analyzes the different segments of China’s bond market, from sovereign, policy bank, and credit bonds, to the rapidly growing local government bond market. It also covers bond futures, green bonds, and asset-backed securities, as well as China’s offshore market, which has played a major role in onshore market development.
Edward Bond: Bondian Drama and Young Audience
'Edward Bond: Bondian Drama and Young Audience' focuses on one of the most influential playwrights of Britain, Edward Bond, and his plays for young audiences. The chapters examine the theatrical and pedagogical prospects of the plays on young people which have been mostly staged since 1990s, throughout the globe. The issues covered in this book involve interdisciplinary studies such as theatre, pedagogy, ethics, children, culture, politics, among others. These topics have crucial importance for the production of plays for young audiences. Apart from this, the book focuses on Bondian Drama and its relation with the dramatic child, involving most of his plays for young audiences. The authors in this volume examine theatrical and pedagogical backgrounds of the plays, discussing critical issues, by questioning the specialities of Bondian drama and present future implications of this for young audiences. This volume presents substantial and elaborate information on crucial issues, and enable detailed discussions from various perspectives on theatre.
