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Presents 570 newly discovered letters from Jane Morris to diverse correspondents, which radically revise the popular view of a silent, discontented invalid and instead portray her as an independent thinker following her own causes. The vast majority of the letters are unpublished, and are fully annotated. Jane Morris [1839-1914] was a famous Pre-Raphaelite model, wife of William Morris and one of the Victorian age's most enigmatic figures. Her long love affair with Dante Gabriel Rossetti has become the stuff of legend. Latershe had a romantic relationship with the adventurer Wilfrid Scawen Blunt. Through her daughter May, she had a contentious interaction with George Bernard Shaw. The greate...
A scholarly monograph devoted to Jane Morris, an icon of Victorian art whose face continues to grace a range of Pre-Raphaelite merchandise. Described by Henry James as a 'dark, silent, medieval woman', Jane Burden Morris has tended to remain a rather one-dimensional figure in subsequent accounts. This book, however, challenges the stereotype of Jane Morris as silent model, reclusive invalid, and unfaithful wife. Drawing on extensive archival research as well as the biographical and literary tradition surrounding William Morris and Dante Gabriel Rossetti, the book argues that Jane Morris is a figure who complicates current understandings of Victorian female subjectivity because she does not f...
Jane Morris (née Burden) was the wife of William Morris, and the favoured model of Pre-Raphaelite painter Dante Gabriel Rossetti. In his maturity Rossetti drew and painted Jane with an obsessional intensity and she was cast in many literary and mythological roles, including Dante's Beatrice, Pandora, Proserpine and Astarte. Whether in direct or symbolic guise, Jane's features are depicted with a sombre intensity that offer a glimpse into Rossetti's troubled soul. The exhibition, marking the centenary of Jane's death, brings together compelling and rarely seen drawings and pastel studies of Jane by Rossetti. The exhibition also features images of Jane as herself and explores her life and int...
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William Morris - poet, designer, campaigner, hero of the Arts & Crafts movement - was a giant of the Victorian age, and his beautiful creations and provocative philosophies are still with us today: but his wife Jane is too often relegated to a footnote, an artist's model given no history or personality of her own. In truth, Jane and William's personal and creative partnership was the central collaboration of both their lives. The homes they made together - the Red House, Kelmscott Manor and their houses in London - were works of art in themselves, and the great labour of their lives was life itself: through their houses and the objects they filled them with, they explored how we all might live a life more focused on beauty and fulfilment. In How We Might Live, Suzanne Fagence Cooper explores the lives and legacies of Jane and William Morris, finally giving Jane's work the attention it deserves and taking us inside two lives of unparalleled creative artistry.
William Morris and his Palace of Art is a comprehensive new study of Red House, Bexleyheath; the only house commissioned by William Morris and the first independent architectural work of his close friend, Philip Webb. Morris moved in to Red House as an ebullient young man of 26, with an independent income and a head brimming with ideas and the persistent question of ‘how best to live? Red House, together with its Pre-Raphaelite garden, stands as the physical embodiment of his exuberant spirit, youthful ambition, passionate medievalism, creativity and great sense of possibility. For five intense years from 1860–5, it was a place of halcyon days – happy family life, loyal friendship, goo...
This ravishing book opens a window onto the lives, designs, and passions of two charismatic artists. Born a generation apart, they were seeming opposites: Mariano Fortuny, a Spanish aristocrat thrilled by the sun-baked cultures of Crete and Knossos; William Morris, a British craftsman, in thrall to the myths of the North. Yet through their revolutionary inventions and textiles, both men inspired a new variety of art, as vibrant today as when it was first conceived. Acclaimed writer A.S. Byatt traces their genius right to the source. The Palazzo Pesaro Orfei in Venice is a warren of dark spaces leading to a workshop where Fortuny created his designs for pleated silks and shining velvets. Here...
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Neoplasms are common in dogs and cats and it has been estimated that 50% of dogs and cats aged over 10 years die of neoplasia. The demand for treatment of pets with cancer is increasing and seems likely to do so for the foreseeable future as more animals become insured and their treatment costs are covered. The purpose of this book is to provide a basic clinical approach to the diagnosis and treatment of the more common tumours in dogs and cats for the practising veterinary surgeon, undergraduate student and veterinary nurse. It is not intended to be a comprehensive reference book, covering all aspects of veterinary oncology, since several such texts exist. Rather it seeks to provide a core ...
First Published in 1997. This book is intended as a resource for anyone interested in the artistic contributions and activities of women in nineteenth-century Britain. It is an index as well as an annotated bibliography and provides sources for information about women well known in their own time and about women who were little known then and are forgotten now