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E. Reid Gilbert Ten Plays
E. Reid Gilbert has been engaged in theatre as a playwriter, performer, mime, choreographer, director of a major center for mime in Spring Green, WI, a student of Kabuki and Indian Kathakali Dance, as well as having written his infamous 100 Limericks for 100 Days of Trump, and multiple books in his octogenarian years. He continues his writing at 88 years of age, with his next book documenting his approach to physical acting and movement for the stage. This collection of nine plays and one screenplay capture his creative prowess in all of its tragi-comic temperament. Here, are stories of race and the south where he grew up as a boy, and the skill of an actor/playwright who has known both sides of theatre, from performing to directing and playwriting -- a lovely summary of his work to date for stage and screen.
The Inside Story of Movement Theatre International's Mime and Clown Festivals
This book tells the story of ground-breaking movement theater performers of the late twentieth century. It explores how the virtuoso stage clowns and mimes drew on all the performing arts to create and star in shows in order to reveal our deepest thoughts and feelings. They ignored taboos and busted boundaries to redefine the relationship between performer and audience, making a theater of kindness—a theater of joy. Complete with over two hundred photos, the book tells how these performers came together at the International Movement Theatre Festivals and reached American audiences with their work. It also details the author’s story, his devotion to, and love of, the art and the artists, and his sometimes-harrowing journey into non-profit management. It offers a peek behind the curtain to describe the process of engaging artists, audiences, funders, and the international press in this mission.
The Twelve Houses of My Childhood
By the time E. Reid Gilbert graduated high school, his family had lived in twelve different houses, each of which provided experiences that would ripple throughout the rest of his days. Second house. Two-year-old Reid toddles down the middle of a busy highway to join the gypsies who camp behind the Colvard's General Store. Though his mother retrieves him before he reaches his destination, she can't extinguish his desire for exploration and adventure. Fourth house. Reid proposes to Nancy, a neighbor. She accepts, then marries another just weeks later. Turns out that women -- even those who share banana-and-peanut butter sandwiches -- tend not to get permanently involved in a romance with four...
Bringing the Body to the Stage and Screen
As stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. And in order to bring authenticity and believability to a character, it has become increasingly vital for actors to be aware of movement and physical acting. Stage and screen artists must now call upon physical presence, movement on stage, non-verbal interactions, and gestures to fully convey themselves. In Bringing the Body to the Stage and Screen, Annette Lust provides stage and screen artists with a program of physical and related expressive exercises that can empower their art with more creativity. In this book, Lust provides a gene...
