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'The Art of Songwriting' is a comprehensive guide to life, art and making great songs.It's not about chasing a hit song. It's not about theories that are interesting but no use filling the blank page. And most of all -- it's not just about the craft of songwriting.It's about how to create, think and live like a songwriter. It's about being resilient, innovative and passionate about what you make. It's about how artists can change the world -- and why they should.
Once upon a time, there wasn't a song. Then, sometime later, there was. "How the $&%! did that happen?" you might ask. How to Write a Song (Even If You've Never Written One Before and You Think You Suck) is the definitive, no-nonsense and 100% beginner-proof guide to writing original songs. Whether you're a complete beginner or a more experienced songwriter looking to improve your songwriting process, How to Write a Song... walks you through a powerful, stimulating but simple process you can use to create great songs, time after time. It's not a formula. It's not a songwriting 'method'. You'll craft every single note and word of your song. You'll write in any style you like. Meanwhile, you'l...
The weekly source of African American political and entertainment news.
Announcements for the following year included in some vols.
The weekly source of African American political and entertainment news.
The corpus coranicum eludes familiar categories and resists strict labels. No doubt the threads woven into the fabric are exceptionally textured, varied, and complex. Accordingly, the introductory chapter of this book demonstrates the application of form criticism to the text. Chapter two then presents a form-critical study of the prayer genre. It identifies three productive formulae and addresses distinct social settings and forms associated with them. The third chapter begins by defining the liturgy genre vis-à-vis prayer in the Qurʾān. Drawing a line between the hymn and litany forms, this chapter treats each in turn. Chapter four considers the genre classified as wisdom literature. It...
Mingo Junction, a working-class town in the upper Ohio River Valley, has a rich mix of ethnicities and races with a history going back to the Mingo Indians, including visits from George Washington in the 1770s. Early settlement came as the coal mining industry flourished, followed by iron and steel foundries and accompanying railroads and river barge traffic. Mingo's chief industry is its steel mill, first Carnegie Steel Mill, then Wheeling-Pitt Steel Mill for over 100 years. The town's deep character is etched in its work, social, cultural, and natural landscapes. This is seen in its schools, churches, businesses and industry, daily life, active social organizations, and its famous figures: Jake Strott and George Kakasic of the 1930s Pittsburgh Steelers (Pirates); Joe Fortunato of the Chicago Bears; coach Woody Hayes; Spud Hughes, inventor of menthol cigarettes; and Bill (Lil Squirt) Albaugh, spokesperson for Squirt soda. Renowned singing groups include The Antones, The Stereos, Buddy Sharp and the Shakers, The Mingo Men, and Bob Parissi of Wild Cherry. Among major movies filmed in the town are Reckless, Hearts of Steel, and 1978 Academy Award winner The Deer Hunter.
Drawing on his work in Iceland, Ireland, Scotland, North America, Ghana, and Fiji, linguistic anthropologist and folklorist Richard Bauman presents a series of ethnographic case studies that offer a sparkling look at intertextuality as communicative practice. A fascinating perspective on intertextuality: the idea that written and spoken texts speak to one another, e.g. through genre or allusions. Presents a series of ethnographic case studies to illustrate the topic. Draws on a broad range of oral performances and literary records from across the world. The author’s introduction sets a framework for the analysis of genre, perform and intertextuality. Shows how performers blend genres, e.g., telling stories about riddles or legends about magical verses, or constructing sales pitches.
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The Anglican Bishop George Bell (of Chichester) and the General Secretary of the World Council of Churches, Willem A. Visser’t Hooft (of Geneva) exchanged hundreds of letters between 1938 and 1958. The correspondence, reproduced and commented upon here, mirrors the efforts made across the ecumenical movement to unite the Christian churches and also to come to terms with an age of international crisis and conflict. In these first decades of the World Council, it was widely felt that the Church could make a noteworthy contribution to the mitigation of political tensions all over the world. That’s why Bell and Visser’t Hooft talked not only to bishops and the clergy, but also to the prime ministers and presidents of many countries. They raised their voices in memoranda and published their public letters in important newspapers. This was the World Council’s most successful period.