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Party Lines
'[An] excellent history of UK dance culture' – Sunday Times From the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988 to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music from journalist and filmmaker Ed Gillett, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built. Taking in the Victorian moralism of the Thatcher years, the far-reaching restrictions of the Criminal Justice Act in 1994, and the resurgence of illegal raves during the Covid-19 pandemic, Party Lines charts an ongoing conflict, fought in basement clubs, abandoned warehouses and sunlit fields, between the revolutionary potential of communal sound and the reactionary impulses of the British establishment. Brought to life with stunning clarity and depth, this is social and cultural history at its most immersive, vital and shocking.
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A Place of Their Own
Using original sources, this unique book focuses on the Deaf community during the 19th century. Largely through schools for the deaf, deaf people began to develop a common language and a sense of community. A Place of Their Own brings the perspective of history to bear on the reality of deafness and provides fresh and important insight into the lives of deaf Americans.
Psychic Empire
In nineteenth-century imperial Germany and the Austro-Hungarian Empire, new scientific fields like psychophysics, empirical psychology, clinical psychiatry, and neuroanatomy transformed the understanding of mental life in ways long seen as influencing modernism. Turning to the history of psychiatric classification for mental illnesses, Cate I. Reilly argues that modernist texts can be understood as critically responding to objective scientific models of the psyche, not simply illustrating their findings. Modernist works written in industrializing Central and Eastern Europe historicize the representation of consciousness as a quantifiable phenomenon within techno-scientific modernity. Looking...
Origin Legends in Early Medieval Western Europe
This volume contains work by scholars actively publishing on origin legends across early medieval western Europe, from the fall of Rome to the high Middle Ages. Its thematic structure creates a dialogue between texts and regions traditionally studied in isolation. Part I (Regions) introduces the corpus of origin texts from the areas under this volume’s purview. Part II (Themes) identifies key themes that appear in origin legends and introduces new arguments on a wide range of early medieval material. The chapters in Part III (Approaches) conclude the volume by highlighting a range of disciplinary, methodological, and theoretical approaches to origin legends. Contributors are Lindy Brady, Erica Buchberger, Thomas Charles-Edwards, Michael Clarke, Marios Costambeys, Katherine Cross, Helen Fulton, Shami Ghosh, Ben Guy, Judith Jesch, Catherine E. Karkov, Robert Kasperski, John D. Niles, Conor O’Brien, Alheydis Plassmann, Andrew Rabin, Helmut Reimitz, Robert W. Rix, and Patrick Wadden.
Slave Testimony
“A magisterial and landmark work, one that merits wide and thoughtful readership not only by historians, but, more important, by those of us who count on historians to tell us truly about our past.”—New York Times “A testament to the resilience of the black spirit, faced with a primitive and largely conscienceless regime.”—Bertram Wyatt-Brown, South Atlantic Quarterly “This volume does much more than merely present a rich collection of judiciously selected and skillfully edited sources of the history of slavery; in the process it reveals a host of large-as-life slaves and ex-slaves: Kale, the precocious eleven-year-old Mende of the Amistad rebels, who quickly learned to write e...
Join The Future
Matt Anniss’s critically acclaimed alternative history of UK dance music in the acid house era returns in updated and expanded form. Named by Rolling Stone UK as one of the best books on British music culture, Join The Future puts forward a persuasive new argument about the origins of UK club culture’s long-running love affair with bass. Since the dawn of the 1990s, Britain’s dancefloors have moved to a string of styles built around skeletal rhythms and heavy sub-bass, including breakbeat hardcore, jungle, drum & bass, dubstep, UK garage, grime and bassline. Yet another previously overlooked sound pre-dated them all: bleep and bass, or bleep techno, the first distinctly British form of...
