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Let us dare to love. Let us dare to hope and live. We can survive in every storm. We can endure to overcome and to thrive in the power and nature of His glorious name.
In this eloquent, captivating narrative, you will embark on a spiritual pilgrimage -- not only through the author's experiences, but also through Everyman's quest for truth and yearning to know God. Von Bruck reveals a heart and mind dedicated to one purpose and one purpose only -- to glorify God. And she graciously shares the invaluable lessons she's learned along the way -- lessons about how to triumph in the midst of the storms of life that threaten to shipwreck our faith. Come along and see that your life is truly a divine voyage...a journey to eternal glory! Book jacket.
The Bible is filled with many familiar stories of mystical experiences -- Moses and the burning bush, Samuel in the temple, the angel's visit to Mary, and Paul's Damascus road experience are just a few examples -- and many modern Christians have equally powerful experiences of the Lord's life-changing power and presence. In this follow-up volume to Vision Stories, 84 contributors share their authentic, intensely personal accounts of encountering the divine, including visions, healing miracles, and answers to prayer. Each vignette manifests the indescribable joy, comfort, and peace we experience in God's presence. And because each personal story also illustrates a scripture passage from Cycle...
This volume explores the extraordinary life and works of Hildegard of Bingen, medieval writer, composer, visionary, and monastic founder.
Completed in 1173, The Book of Divine Works (Liber Divinorum Operum) is the culmination of the Visionary’s Doctor’s theological project, offered here for the first time in a complete and scholarly English translation. The first part explores the intricate physical and spiritual relationships between the cosmos and the human person, with the famous image of the universal Man standing astride the cosmic spheres. The second part examines the rewards for virtue and the punishments for vice, mapped onto a geography of purgatory, hellmouth, and the road to the heavenly city. At the end of each Hildegard writes extensive commentaries on the Prologue to John’s Gospel (Part 1) and the first chapter of Genesis (Part 2)—the only premodern woman to have done so. Finally, the third part tells the history of salvation, imagined as the City of God standing next to the mountain of God’s foreknowledge, with Divine Love reigning over all.
A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.
Identities and social relations are fundamental elements of societies. To approach these topics from a new and different angle, this study takes the human body as the focal point of investigation. It tracks changing identities of early Iron Age people in central Europe through body-related practices: the treatment of the body after death and human representations in art. The human remains themselves provide information on biological parameters of life, such as sex, biological age, and health status. Objects associated with the body in the grave and funerary practices give further insights on how people of the early Iron Age understood life and death, themselves, and their place in the world....
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
By the early ninth century, the responsibility for a series of social, religious and political reforms had become an integral part of running the Carolingian empire. This became especially clear when, in 813/4, Louis the Pious and his court seized the momentum generated by their predecessors and broadened the scope of this correctio ever further. These reformers knew they constituted a movement greater than the sum of its parts; the interdependence of imperial authority and ecclesiastical reformers was driven by comprehensive, yet surprisingly diverse expectations. Taking this diversity as a starting point, this book takes a fresh look at these optimistic decades. Extrapolating from a series of detailed case studies rather than presenting a grand narrative, it offers new interpretations of contemporary theories of correctio, and shows the self-awareness of its main instigators as they pondered what it meant to be a good Christian in a good Christian empire.
For this revised edition of Hildegard's liturgical song cycle, Barbara Newman has redone her prose translations of the songs, updated the bibliography and discography, and made other minor changes. Also included is an essay by Marianne Richert Pfau which delineates the connection between music and text in the Symphonia. Famous throughout Europe during her lifetime, Hildegard of Bingen (1098-1179) was a composer and a poet, a writer on theological, scientific, and medical subjects, an abbess, and a visionary prophet. One of the very few female composers of the Middle Ages whose work has survived, Hildegard was neglected for centuries until her liturgical song cycle was rediscovered. Songs from it are now being performed regularly by early music groups, and more than twenty compact discs have been recorded.