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German Paintings of the Fifteenth Through Seventeenth Centuries
Rare works by Albrecht Dürer (Madonna and Child), Lucas Cranach the Elder (A Princess of Saxony), and Hans Holbein the Younger (Edward VI as a Child), as well as Matthias Grünewald's Crucifixion, the only painting by the master in the United States, are beautifully reproduced and exhaustively discussed in this volume, which is enriched by x-radiographs, infrared reflectograms, and dendrochronological studies.
Thomas Paquette
This image-rich book was produced to accompany the traveling exhibition of gouache paintings by nationally recognized artist Thomas Paquette. Art critic Philip Isaacson called these gouaches irresistible paintings.Often described as gemlike, Paquettes gouaches are reproduced full-size in the book, which includes a preface by the artist and an essay by art historian and curator Sally E. Mansfield.
Painting in Stone
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
American Impressionism and Realism
An examination of the continuities and differences between American Impressionism and Realism. Copyright © Libri GmbH. All rights reserved.
Splendid Legacy
Issued in conjunction with the exhibition at The Metropolitan Museum of Art of over 450 works of art from the legendary Havemeyer collection, formed at the turn of the century by pioneering American patrons of art Henry O. and Louisine Havemeyer, this lavishly illustrated catalogue combines 800 illustration (176 in color) with the collaborative efforts of 27 authors who examine the various aspects of the collection in summarizing essays and in entries on individual works. In addition, one essay is devoted to the Manhattan residence designed for the Havemeyers by Tiffany and Colman. An exhaustive 90-page chronology offers a perspective on the formation of the collection, outlining the roles of friend and advisor Mary Cassatt and a succession of dealers, and focusing on the history of the family and its business interests. 9.25x12.25" Annotation copyright by Book News, Inc., Portland, OR
