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Urban Political Economy
The study of urban political economy needs no justification, for cities are the heart (and arguably the soul) of our civilization, and their political and economic conditions are the linchpins of its existence. But how should we study urban political economy? Urban Political Economy deals with different nations – Belgium, Denmark, France, Norway, the UK. and the USA – and with different problems – expenditure patterns, service provision, economic development, fiscal strain, budgetary cuts, and borrowing systems – but they all agree on two fundamental points about the study of their subject matter: first, that the urban economy cannot be understood outside its political context, just as urban politics cannot be understood without its economic background; and second, that the local and the national are knitted together so closely and so tightly that it is necessary to think of them as forming a single system. Urban Political Economy explores the idea of the fusion of factors by demonstrating the extent to which local and national conditions react upon one another to analyze the urban political economy.
Transcendent God, Rational World
Ramon Harvey revisits the Muslim theologian Abū Manṣūr al-Māturīdī (d. 333/944) from Samarqand and puts his system, and that of the Māturīdī school, into lively dialogue with modern thought to show that a contemporary Muslim philosophical theology (kalām jadīd) can provide original and constructive answers to perennial theological questions.
Rumi
Picturing the life story of Jalal ad-Din Rumi, a premier Muslim mystic and the original Whirling Dervish, the images in three extant manuscripts of Aflaki's Wondrous Feats of the Knowers of God provide a unique way to interpret the text. Part One: History and Context provides the medieval Anatolian historical setting; the broad contours of literary and artistic works of Islamic Hagiography; and the specific details of the three manuscripts to be explored. Part Two: Text and Image proposes a method for interpreting a hybrid literary-visual document as a grand narrative of the Family Rumi at the inspirational and ethical core of a virtuous community: flourishing within a complex Muslim society under divine providence. Pictures in the three manuscripts were produced by studios of painters under the patronage of major late 16th-century Ottoman sultans. The result of their efforts is a kind of 'visualised hagiography' uniquely capable of suggesting distinctive and often surprising twists on the narratives, enhancing the text with images of striking beauty and rich detail.
The British and the Turks
Describes and analyses British pressure to partition and ultimately destroy the Ottoman Empire Although it was at times valuable to Britain to support the Ottoman Empire against Russian encroachment, by the end of the 19th century successive British governments had begun to sponsor the dismemberment of the Empire. British public opinion and political pressure groups portrayed the Ottomans in universally defamatory terms, affecting the diplomatic actions of politicians. Some politicians themselves harboured deep prejudices against the Turks and Islam. The result, through numerous incidents, was British pressure to dismember the Ottoman Empire. Justin McCarthy shows how - from ignoring provisi...
The Making of Islamic Art
Explores how Islamic art and architecture were made: their materials and their social, political, economic and religious context In their own words, Jonathan Bloom and Sheila Blair espouse 'things and thinginess rather than theories and isations'. This book's practical, down-to-earth dimension, expressed in plain, simple English, runs counter to the current fashion for theoretical explanations and their accompanying jargon. Its many insights, firmly anchored in artistic practice in architecture, painting and the decorative arts, are supported by ample technical know-how. This bottom-up approach differs radically and refreshingly from that of much top-down contemporary scholarship. It privile...
Framing Pictures
Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts.
Reyner Banham Revisited
Reyner Banham (1922–88) was a prolific, iconoclastic critic of modern architecture, cities, and mass culture in Britain and the United States, and his provocative writings are inescapable in these areas. His 1971 book on Los Angeles was groundbreaking in what it told Californians about their own metropolis, and architects about what cities might be if freed from tradition. Banham’s obsession with technology, and his talent for thinking the unthinkable, mean his work still resonates now, more than thirty years after his death. This book explores the full breadth of his career and his legacy, dealing not only with his major books, but a wide range of his journalism and media outputs, as well as the singular character of Banham himself.
Making of the Artist in Late Timurid Painting
In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist's likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist's imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist's signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed.
Islamic Chinoiserie
The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran.Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the...
Text and Image in Medieval Persian Art
Focusing on 5 objects found in the main media from the 10th to the 16th century - ceramics, metalware, painting, architecture and textiles - Sheila S. Blair shows how Greater Iranian artisans played with form, material and decoration to engage their audiences.
