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Within a few short years after emancipation, freedpeople of the Natchez District created a new democracy in the Reconstruction era, replacing the oligarchic rule of slaveholders and Confederates with a grassroots democracy that transformed the South after the Civil War.
This prefeminist comedy of manners centers on the love relationships involving two families: the Marshes, an unpretentious and democratically inclined city clan with small-town ties, and the Hubbards, Chicago elitists characterized by an extremely repressive social ethic. In a book that was a critical and commercial success when it was first published in 1903, Edith Wyatt shows how women's roles were moving away from an exclusive concern with family life, marriage, and children. She compares and contrasts manners of the city and the country, of old money and new, of men and women, of lovers and courtships, and of the conventions of romantic fiction. Wyatt was praised by William Dean Howells as among the best of the Chicago school writers for the way she dealt with life in Chicago and in the downstate Illinois community she called Centreville. He also found her comparable to Jane Austen as a satirist of social manners.
Part I examines the ethos of self-making and boosterism that has defined the city since its settlement in the 1830s, and argues that these energies formed the context for hinterland migration during the nineteenth century and beyond. Part 2 highlights the emotional and cultural foraces that continued to tie many migrants to the hinterland even after their arrival in Chicago. Part 3 looks at Chicago's ethnic communities through the eyes of hinterland migrants, underscoring the cultural authority of these native-born newcomers in mediating the assimilation of foreign immigrants. Chapter 6 focuses on the work of Jane Addams and Chapter 7 considers how Chicago's multiethnic community is portrayed in Edith Wyatt's and Elia Peattie's fiction and in Carl Sandburg's poetry.
DIVInterweaves literary and publishing histories around the collaborative novel THE WHOLE FAMILY in order to explore categories of readers and writers in the U.S. during the first two decades of the twentieth-century./div
"The Psychology of Management" by Lillian Moller Gilbreth. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
In this updated edition of a pathbreaking classic, Alice Kessler-Harris explores the meanings of women's wages in the United States in the twentieth and twenty first centuries, focusing on three issues that capture the transformation of women's roles: the battle over minimum wage for women, which exposes the relationship between family ideology and workplace demands; the argument concerning equal pay for equal work, which challenges gendered patterns of self-esteem and social organization; and the debate over comparable worth, which seeks to incorporate traditionally female values into new work and family trajectories. Together, these topics and social organization; and the debate over comparable worth, which seeks to incorporate traditionally female values into new work and family trajectories. Together, these topics illuminate the many ways in which gendered social roles have been produced, transmitted, and challenged.
First published in 1981, Critic as Scientist provides a detailed and scholarly account both of the scientific background and of contemporary artistic issues in its analysis of Ezra Pound’s poetics. During the crucial period of his years in London, Ezra Pound was striving to formulate not only a new system of poetics but also a new language through which he could both define the critic’s procedure and announce his modernity. It was in science that Pound discovered the vocabulary that became his most characteristic gesture during the literary crises of the time. The use of scientific terminology in his ‘propaganda’ for a new ‘renaissance’ belonged, initially, to specifically Americ...
Scientific management: Technology spawned it, Frederick Winslow Taylor championed it, Thorstein Veblen dissected it, Henry Ford implemented it. By the turn of the century, practical visionaries prided themselves on having arrived at "the one best way" both to increase industrial productivity and to regulate the vagaries of human behavior. Nothing escaped the efficiency craze, and in this vivid, wide-ranging book, Martha Banta explores its effect on the culture at large. To the Taylorists, everthing needed tidying up: government, business, warfare, households, and, most of all, the workplace, with its unruly influx of strangers into the native scenes. Taylored Lives gives us a striking sense ...
"This work takes a unique slant on the concept of privacy-not in terms of threats or law, but as it manifested in physical spaces"--