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This stimulating and insightful book reveals how increased control over immigration has changed cultural and social production in theatre, literature, and even museum construction. Dominic Thomas's analysis unravels the complex cultural and political realities of long-standing mobility between Africa and Europe. Thomas questions the attempt to place strict limits on what it means to be French or European and offers a sense of what must happen to bring about a renewed sense of integration and global Frenchness.
Aden, Arabie is the story of a man who attempts to flee bourgeois life in France by seeking exoticism in the Middle East. His trip is a failure; the freedom of travel is exposed as an illusion. This account is based on Nizan's own trip to Arabia and has been resurrected through the efforts of Jean-Paul Sartre. In Aden, Arabie, Nizan came to understand that everywhere-in Arabia as in France-oppressive forces drain us of our humanity.
A comprehensive introduction to North African film.
Discusses the shifting definitions of racism and challenges the common conception that racism is experienced exclusively by black people. The book aims to occupy the centre of debate on the sociology of racism and ethnic studies.
An examination of the complicated history between France and Algeria since the latter’s independence. While most related studies concentrate on the colonial era and Algeria's War of Independence, France and Algeria details the nations' postcolonial relationship. Phillip Naylor provides a philosophical approach, contending that France reformulated, rather than repudiated, “essential” strategic values during decolonization. It thus continued to pursue grandeur and independence, especially with regard to the Third World and Algeria, an essentialism that expedited France’s postcolonial transformation. But as a new nation, Algeria needed to pursue the “existential” project of self-def...
Roots of the New Arab Film deals with the generation of filmmakers from across North Africa and the Middle East who created an international awareness of Arab film from the mid-1980s onwards. These seminal filmmakers experienced the moment of national independence first-hand in their youth and retained a deep attachment to their homeland. Although these aspiring filmmakers had to seek their training abroad, they witnessed a time of filmic revival in Europe – Fellini and Antonioni in Italy, the French New Wave, and British Free Cinema. Returning home, these filmmakers brought a unique insider/outsider perspective to bear on local developments in society since independence, including the divide between urban and rural communities, the continuing power of traditional values and the status of women in a changing society. As they made their first films back home, the feelings of participation in a worldwide movement of new, independent filmmaking was palpable. Roots of the New Arab Film is a necessary and comprehensive resource for anyone interested in the foundations of Arab cinema.
Lies and manipulations have long been part of social life, but the rise of Trump and Trumpism has made these practices excessively blatant and obscene, challenging our ability to respond effectively. This book explores this shift through sociological, anthropological, philosophical, and communicological perspectives, analysing the emergence of a new form of lying and manipulation—anti-/non-/post-truthful, anti-/non-/post-ethical, and anti-/non-/post-reflexive. Using the Slovenian case of Trump-inspired practices, Kotnik presents an analytical model of resistance as a means of self-empowerment against these disruptive and harmful tactics. She examines how open liars and transparent manipulators have become socially tolerable in our increasingly "mentirocratic" societies and argues that it is crucial to resist these practices both in principle and in action. Kotnik's work offers a stimulating investigation into why the open lie and transparent manipulation have become socially acceptable and why they must be actively opposed.
Who were the ancient Phoenicians, and did they actually exist? The Phoenicians traveled the Mediterranean long before the Greeks and Romans, trading, establishing settlements, and refining the art of navigation. But who these legendary sailors really were has long remained a mystery. In Search of the Phoenicians makes the startling claim that the “Phoenicians” never actually existed. Taking readers from the ancient world to today, this monumental book argues that the notion of these sailors as a coherent people with a shared identity, history, and culture is a product of modern nationalist ideologies—and a notion very much at odds with the ancient sources. Josephine Quinn shows how the...
Nineteenth-century French writers and travelers imagined Muslim colonies in North Africa to be realms of savage violence, lurid sexuality, and primitive madness. Colonial Madness traces the genealogy and development of this idea from the beginnings of colonial expansion to the present, revealing the ways in which psychiatry has been at once a weapon in the arsenal of colonial racism, an innovative branch of medical science, and a mechanism for negotiating the meaning of difference for republican citizenship. Drawing from extensive archival research and fieldwork in France and North Africa, Richard Keller offers much more than a history of colonial psychology. Colonial Madness explores the notion of what French thinkers saw as an inherent mental, intellectual, and behavioral rift marked by the Mediterranean, as well as the idea of the colonies as an experimental space freed from the limitations of metropolitan society and reason. These ideas have modern relevance, Keller argues, reflected in French thought about race and debates over immigration and France’s postcolonial legacy.