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Blight at the End of the Funnel
For over 25 years, Edward Colver has documented the Soutehrn California punk rock scene. This book serves not only as a testament to his impressive career. Photos of bands include Christian Death, the Vandals. Agent Orange, Circle Jerks and countless others. This is atimeless coffee table of an important underground photographer. Edward Colver was the preeminent Los Angeles Punk photographer.' - Steven Blush, author of American Hardcore.'
Christian Death - Only Theatre of Pain
Christian Death is an American deathrock band formed in Los Angeles County, California, in 1979 by Rozz Williams. Williams was eventually joined by guitarist Rikk Agnew of the band Adolescents, with James McGearty on bass guitar and George Belanger on drums. This lineup was responsible for producing the band's best-known work, their 1982 debut album Only Theatre of Pain, which was highly influential in the development of the style of music known as death rock as well as the American gothic scene. During this time legendary L.A. punk rock photographer Edward Colver befriended the band and shot Christian Death at a dozen of the band's concerts in the Los Angeles area during a six-month period ...
American Hardcore
Hardcore, the hard-edged second generation of punk rock, whose peak period ranged from 1980 to 1986, has never before been captured in the way Steven Blushs authoritative, extensively illustrated oral history revisits its dynamic and sordid past. All the major hardcore scenes, particularly in Southern California, San Francisco, Washington D.C., Boston, New York City and Texas are given provocative voice through its major players, from drugged-out suburban Metal misfits to shit-kicking skinheads to vegan anti-drug pacifists. American Hardcore; A Tribal History not only recapitulates an important and influential scene, its provocative sociological snapshots reveal the apocalyptic desperation o...
Colver-Culver Family Genealogy
Edward Colver (1600/1610-1685) immigrated in 1635 from England to Boston, Massachusetts, and settled in 1636 in Dedham, Massachustts. He married Ann Ellis in 1638, moving later to Groton, Connecticut. Descendants (chiefly spelling the surname Culver) and relatives lived in New England, New York, Pennsylvania, Iowa, California and elsewhere.
Laid Waste
In a plague-ravaged medieval city, survival is a harsher fate than death. As corpses accumulate around her, Agnes, a young widow possessed of supernatural strength, must weigh her obligations to the dead and dying against her desire to protect what little remains. Laid Waste is a graphic novella about love and kindness among vermin in the putrid miasma at the end of the world. As with her evocative debut book, Black is the Color, Julia Gfrörer's delicate, gothic drawing style perfectly complements the period era of the book’s setting, bringing the lyricism and romanticism of her prose to the fore.
The Hard Times
From the comedic minds behind TheHardTimes.net comes the most accurate reporting on punk and hardcore culture in music history Since 2014, The Hard Times has been at the forefront of music journalism, delivering hard-hitting reports and in-depth investigations into the punk and hardcore scene. From their scathing takedown of Kim Jong-un after he appointed himself the new singer of Black Flag to their incisive coverage of a healthy Lars Ulrich being replaced by a hologram, the site has become a trusted source for all things counterculture. Now, in this zine-style "historical retrospective," the writers behind the site reveal their humble roots, documenting The Hard Times' ascension alongside the rise of punk. With original articles from their 'archives' commenting on '70s, '80s, and '90s punk, as well as fan favorites from the aughts onward, this comprehensive examination of the scene will make readers dust off their Doc Martens and creepy crawl their way to the nearest pit.
Spray Paint the Walls: The Story of Black Flag
They were the pioneers of American hardcore, forming in California in 1978 and splitting up 8 years later leaving behind them a trail of blood, carnage and brutal, brilliant music. Throughout the years they fought with the police, record industry and their own fans. This is the band's story from the inside, drawing upon exclusive interviews with the group's members, their contemporaries and the groups who were inspired by them. It's also the story of American hardcore music, from the perspective of the group who did more to take the sound to the clubs, squats and community halls of America than any other.
Cult Epics
Celebrating the 25th anniversary of Cult Epics – the controversial arthouse, horror and erotica video label – this commemorative hardcover book covers essential releases from filmmakers such as Tinto Brass, Fernando Arrabal, Radley Metzger, Walerian Borowcyzk, Jean Genet, Abel Ferrara, George Barry, Rene Daalder, Agusti Villaronga, Jorg Buttgereit, Gerald Kargl, Nico B, Irving Klaw, and pinup legend Bettie Page. Includes in-depth reviews of films, interviews, and essays on directors by film critics Nathaniel Thompson, Mark R. Hasan, Michael den Boer, Ian Jane, Stephen Thrower, Marcus Stiglegger, Heather Drain and others – fully illustrated in color with rare photos, poster art, and memorabilia.
Mooncop
The Guardian cartoonist relates the daily deadpan adventures of the last policeman living on the moon "Living on the moon...Whatever were we thinking? ...It seems so silly now.” The lunar colony is slowly winding down, like a small town circumvented by a new super highway. As our hero, the Mooncop, makes his daily rounds, his beat grows ever smaller, the population dwindles. A young girl runs away, a dog breaks off his leash, an automaton wanders off from the Museum of the Moon. Each day that the Mooncop goes to work, life gets a little quieter and a little lonelier. As in Goliath, Tom Gauld’s retelling of the Bible story, the focus in Gauld's science fiction is personal—no big explosions or grand reveals, just the incremental dissolution of an abandoned project and a person’s slow awakening to his own uselessness. Depicted in the distinctive, matter-of-fact style of his beloved Guardian strips, Mooncop is equal parts funny and melancholy. Gauld captures essential truths about humanity, making this a story of the past, present, and future, all in one.
