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A brilliant, ambitious follow–up to The Secret Lives of Buildings, in which Hollis turns his focus from the great architectural constructions of the past to the now–vanished chambers they once contained. The rooms we live in are always more than just four walls. As we decorate these spaces and fill them with objects and friends, they shape our lives and become the backdrop to our sense of self. one day, the structures will be gone, but even then, traces of the stories and the memories they contained will persist. In this dazzling work of imaginative reconstruction, edward Hollis takes us to the sites of great abodes now lost to history and piecing together the fragments that remain, re–creates their vanished chambers. From Rome's palatine to the old palace of Westminster and the petit Trianon at Versailles, from the sets of MGM studios in Hollywood to the pavilions of the Crystal palace and the author's own grandmother's sitting room, The Memory Palace is a glittering treasure trove of luminous forgotten places and the alluring people who lived in them.
The plans are drawn up, a site is chosen, foundations are dug: a building comes into being with the expectation that it will stay put and stay for ever. But a building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation. In this radical reimagining of architectural history, Edward Hollis tells the stories of thirteen buildings, beginning with the 'once upon a time' when they first appeared, through the years of appropriation, ruin and renovation, and ending with a temporary 'ever after'. In spell-binding prose, Hollis follows his buildings through time and space to reveal the hidden histories of the Parthenon and the Alhambra, Gloucester Cathedral and Haghia Sofia, Sans Souci and Notre Dame de Paris, Malatesta's Tempio and Loreto, and explores landmarks of our own time, from Hulme's legendary crescents to the Berlin Wall and the fibre-glass theme parks of Las Vegas.
At a time when work and home life are becoming increasingly blurred, and modern technology brings the realm of the public into what used to be a personal and private space, Ed Hollis looks at what it means to make a home in today's world. Exploring the meaning of private and public space, the importance we place on physical objects and the demands we make of our home environment, How to Make a Home challenges us to re-imagine the concept of home and hearth.
At a time when work and home life are becoming increasingly blurred, and modern technology brings the realm of the public into what used to be a personal and private space, Ed Hollis looks at what it means to make a home in today's world. Exploring the meaning of private and public space, the importance we place on physical objects and the demands we make of our home environment, How to Make a Home challenges us to reimagine the concept of home and hearth.
A collection of essays from prominent thinkers in the field of interiors, topics touched upon in this collection ranges from cushions, curtains, and feminism; the relationship between the interior and the enclave in the contemporary age of terror; the regulation of the profession of interiors; and the representation of the interior on the written page and in history. With various debates on the identity, the profession, and the regulation of interior design; essays on the relationship between theory and practice in interiors; and case studies from, and reflections upon, the education of the interior designer, this collection of writings is essential reading for anyone with an interest in interior design.
Every built structure has an interior: whether it takes the rough form of a rudimentary shelter, the grey walls of a hospital or the finessed decoration of a one-off residence. We spend most of our time inside buildings. Shut your eyes and you will find yourself in your own interior. You will always be inside. Mastering the language, thinking and history of the interior is critical to understanding and designing spaces. This essential primer transcends the boundaries and genres that often define interiors, providing a comprehensive view of the concepts and vocabulary of interior design. Written as an accessible 'treasury' of principal terms and ideas, Inside Information engages with the past, uncovering the future potential of the interior, and its design. Introduces the reader to 26 key terms, from ante- to zeitgeist. Covers areas of study from the very practical - structures, decoration and sustainability - to the philosophical - gender, space and light. Features sources, ranging from: Le Corbusier to Norman Foster; Jacques Derrida to Noam Chomsky; Virginia Woolf to George Orwell. Highly illustrated with over 100 photographs and drawings.
Richard Hollis was the graphic designer for London's Whitechapel Art Gallery in the years 1969-73 and 1978-85. In this second period, under the directorship of Nicholas Serota, the gallery came to the forefront of the London art scene, with pioneering exhibitions of work by Georg Baselitz, Anselm Kiefer, Joseph Cornell, Philip Guston, Frida Kahlo and Tina Modotti, among others. Hollis's posters, catalogues, and leaflets, conveyed this sense of discovery, as well as being models of practical graphic design. The pressures of time and a small budget enhanced the urgency and richness of their effects. Christopher Wilson's monograph is an exemplary examination of a body of graphic design. This book matches the spirit of the work it describes: active, passionate, aesthetically refined, and committed to getting things right. As in Hollis's work, "design" here is a verb as much as a noun.
This guide is an authoritative reference point for anyone interested in the creation or interpretation of treaties and other forms of international agreement. It covers the rules and practices surrounding their making, interpretation, and operation, and uses hundreds of real examples to illustrate different approaches treaty-makers can take.
Collected essays on interior architecture and design.
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