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"A collection of intimate and conversational accounts of the artists that have impacted the poet activist Margaret Randall on her own creative journey. As makers of art, social commentators, women in a world dominated by male values, and in solitude or collaboration with communities, each artist is seen in the context of the larger artistic arena. Through her reflections, Randall also takes on questions about visual art as a whole and its lasting political influence on the world"--
Edward Ranney (b. 1942) is one of the most distinguished photographers of the Peruvian landscape. In 1985 Ranney began photographing the Nazca lines, a series of monumental geoglyphs that stretch across an arid plateau in southern Peru. Created by the Nazca culture more than 2,000 years ago, the lines have perplexed archeologists and inspired scores of visual artists. While most clearly seen from the air in a plane or helicopter, these lines offer an even more awe-inspiring experience when viewed from the ground--Ranney's chosen vantage for his large-format photographs. Two decades of work on these lines in Peru and on similar glyphs found in northern Chile are brought together for the first time in this handsome volume, revealing the enigmatic beauty of these ancient manmade landforms. An illuminating essay by esteemed critic Lucy R. Lippard situates Ranney's work within the context of landscape photography and contemporary art.
Exhibition guide on the traveling photography exhibition and subsequent book titled Prairie Passage, by Edward Ranney.
The remarkable photography collection of the University of New Mexico Art Museum owes its unique character and quality to the directors, curators, scholars, and artists who have taught, worked, and studied at the museum and in the university’s Department of Art and Art History. In this indispensable book, these distinguished scholars and artists reflect on the pictures from the collection that hold significance to them. Through their own professional and artistic practice, they represent different generations of aesthetic voices and intellectual directions. As one of the earliest collegiate institutions to begin collecting photography, the University of New Mexico Art Museum holds a stunning array of images that span photography’s 175-year history. In addition to iconic works by famous photographers, this book also features less familiar but equally masterful pictures. Together, these essays represent a unique history of photography and this renowned museum.
"Shows that precolumbian tectonic forms (especially as found in sculpture and weaving) appear to be an overlooked source, or anticipation, of much of the art of the 20th century. Second part of book deals with artifacts as American art and addresses reception of ancient tectonics in the 20th century. Emphasizes intense relationship that some members of the New York School (particularly Barnett Newman and Adolph Gottlieb) had during 1940s with the aboriginal arts of the North American part of the hemisphere and thus the affinities between their work and the work of the older Torres Garcâia in Montevideo, at the other end of the continent"--Handbook of Latin American Studies, v. 58.
The Routledge History of Western Empires is an all new volume focusing on the history of Western Empires in a comparative and thematic perspective. Comprising of thirty-three original chapters arranged in eight thematic sections, the book explores European overseas expansion from the Age of Discovery to the Age of Decolonisation. Studies by both well-known historians and new scholars offer fresh, accessible perspectives on a multitude of themes ranging from colonialism in the Arctic to the scramble for the coral sea, from attitudes to the environment in the East Indies to plans for colonial settlement in Australasia. Chapters examine colonial attitudes towards poisonous animals and the histo...
This question-and-answer book contains 400 reminders of what is known and what is sometimes forgotten or misunderstood about a city that was founded more than 400 years ago. Not a traditional history book, this group of questions is presented in an apparently random order, and the answers occasionally meander off topic, as if part of a casual conversation.