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(Re)Searching the Field
The Norwegian ethnochoreologist and educator Egil Bakka has been crucial in establishing dance research as an academic discipline in Norway. As a scholar of international format, he has established dance networks worldwide. Through his long and active career, Egil Bakka has researched both Norwegian and international dance fields. He has been crucial for the documentation and analysis of Norwegian folkdance. His involvement in local communities and more recently with UNESCO in connection with safeguarding intangible cultural heritage, has led to heightened awareness of the rich tradition of dance worldwide. Egil Bakka has always shared his expertise generously. The articles in this Festschrift honour this generosity, as the volume contains 30 peer-reviewed articles written by Bakka's close colleagues. The contributors represent Norway and Nordic countries, as well as countries in Europe, America, and Asia, and the breadth and scope of this Festschrift takes the reader through a variety of topics related to dance and music.
Nordic Dance Spaces
Dance has been connected to the practices and ideologies that have shaped notions of a Nordic region for more than a century and it is ingrained into the culture and society of the region. This book investigates different dance phenomena that have either engaged with or dismantled notions of Nordicness. Looking to the motion of dancers and dance forms between different locations, organizations and networks of individuals, its authors discuss social dancing, as well as historical processes associated with collaborations in folk dance and theatre dance. They consider how similarities and differences between the Nordic countries may be discerned, for instance in patterns of reception at the arr...
Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth-Century
From ‘folk devils’ to ballroom dancers, Waltzing Through Europe explores the changing reception of fashionable couple dances in Europe from the eighteenth century onwards. A refreshing intervention in dance studies, this book brings together elements of historiography, cultural memory, folklore, and dance across comparatively narrow but markedly heterogeneous localities. Rooted in investigations of often newly discovered primary sources, the essays afford many opportunities to compare sociocultural and political reactions to the arrival and practice of popular rotating couple dances, such as the Waltz and the Polka. Leading contributors provide a transnational and affective lens onto str...
Bodies of Sound
From the ragtime one-step of the early twentieth century to the contemporary practices of youth club cultures, popular dance and music are inextricably linked. This collection reveals the intimate connections between the corporeal and the sonic in the creation, transmission and reception of popular dance and music, which is imagined here as ’bodies of sound’. The volume provokes a wide-ranging, interdisciplinary conversation that includes scholarship from Asia, Europe and the United States, which explores topics from the nineteenth century through to the present day and engages with practices at local, national and transnational levels. In Part I: Constructing the Popular, the authors ex...
Dance, Technology and Social Justice
This book theorizes dance technique as the Greek techne translated as art, and shows how movement can inspire epistemic, philosophical, and cultural conversations in technology studies. Combining dance studies, religious studies, and technology studies, it argues that dance can be a technology of social justice bringing equanimity, liberation and resistance. It focuses on the eastern Indian art form Odissi and applied experimentations with motion capture technology, virtual reality (VR) gaming, and Arduino. It specifically examines tthe work of Ananya Dance Theatre (ADT), a Minnesota based contemporary Indian dance company that deconstructs Odissi towards social justice activism.
Ukrainian Dance
Ukrainian dance is remarkably enduring in its popularity and still performed in numerous cultural contexts. This text unpacks the complex world of this ethnic dance, with special attention to the differences between vival dance (which requires being fully engaged in the present moment) and reflective dance (dance connected explicitly to the past). Most Ukrainian vival dances have been performed by peasants in traditional village settings, for recreational and ritual purposes. Reflective Ukrainian dances are performed more self-consciously as part of a living heritage. Further sub-groups are examined, including national dances, recreational/educational dances, and spectacular dances on stage.
The Nordic Languages. Volume 1
No detailed description available for "NORDIC LANGUAGES (BANDLE) 1.TLBD HSK 22.1 E-BOOK".
Anglo-Saxon Styles
Art historian Meyer Schapiro defined style as "the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.
Constructing identities. Structure and practice in the Early Bronze Age – Southwest Norway
This book explores the construction of regional identities in the Early Bronze Age through the temporal variation in burial practice in Southwest Norway. Earthen barrows from the regions Etne, Karmøy, Jæren, and Lista are used as the archaeological source for this study. How historically constituted structures together with external practice form part of an open-ended process of identity construction is investigated. Previous research has often used a set, rigid definition of identity, and earthen barrows along the coast of Southwest Norway have therefore frequently been portrayed as part of a southern Scandinavian culture. These perceptions are not necessarily wrong, but neglect the compl...
The Figured Landscapes of Rock-Art
A companion to The Archaeology of Rock-Art (Cambridge 1998), this new collection edited by Christopher Chippindale and George Nash addresses the most important component around the rock-art panel - its landscape. The Figured Landscapes of Rock-Art draws together the work of many well-known scholars from key regions of the world for rock-art and for rock-art research. It provides a unique, broad and varied insight into the arrangement, location, and structure of rock-art and its place within the landscapes of ancient worlds as ancient people experienced them. Packed with illustrations, as befits a book about images, The Figured Landscapes of Rock-Art offers a visual as well as a literary key to the understanding of this most lovely and alluring of archaeological traces.
