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Eiffel's Tower for Young People is a vivid, lively pageant of people and cultures meeting—and competing—on the world stage at the dawn of the modern era. The 1889 World's Fair was a worldwide event showcasing the cutting-edge cultural and technological accomplishments of the world's most powerful nations on the verge of a new century. France, with its long history of sophistication and cultivation and a new republican government, presented the Eiffel Tower, the world's tallest structure, crafted from eighteen thousand pieces of wrought iron and 2.5 million rivets, as a symbol of national pride and engineering superiority. The United States, with its brash, can-do spirit, full of pride in its frontier and its ingenuity, presented the rollicking Wild West show of Buffalo Bill Cody and Annie Oakley, and the marvelous new phonograph of Thomas Edison. With historical photos throughout, outsized personalities, squabbling artists, and a sprinkling of royalty, this dramatic history opens a window to a piece of the past that, in its passions and politics, is an unforgettable portrait of a unique moment in history.
When it opened in 1889 Parisians were appalled by the "useless and monstrous" tower Gustave Eiffel planted in the heart of their beloved city. That enmity, however, was short-lived. "The Eiffel Tower" is a pictorial study of the great structure by acclaimed architectural photographer Lucienne Herve, whose ethereal images convey the balance between the tower's elegant ironwork and its sheer physical force.
Key stages in Barthes's intellectual itinerary are discussed in seven core chapters: Mythologies; Semiology; New criticism; Structuralism; Reader writer and text; Pleasure, the body and the self; and Photography. In each chapter concepts are contextualised so that the reader may understand the issues debated during the period under scrutiny, and the strength and originality of Barthes's contribution to those debates surrounding cultural forms. The successive shifts in Barthes's thought are also carefully explained and highlighted to avoid any confusion in the readers mind between concepts or theories developed at different stages. Another three chapters (Barthes in perspective; Barthes's legacy; and Paradox: a way of thinking) offer an overview of Barthes's career and a general assessment of his place in the intellectual landscape of the last fifty years.
A cultural history of gigantism in architecture and digital culture, from the Eiffel Tower to the World Trade Center. The gigantic is everywhere, and gigantism is manifest in everything from excessively tall skyscrapers to globe-spanning digital networks. In this book, Henriette Steiner and Kristin Veel map and critique the trajectory of gigantism in architecture and digital culture—the convergence of tall buildings and networked infrastructures—from the Eiffel Tower to One World Trade Center. They show how these two forms of gigantism intersect in the figure of the skyscraper with a transmitting antenna on its roof, a gigantic building that is also a nodal point in a gigantic digital in...
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Malamud offers a behind-the-scenes look at the Internet Exposition of 1996--a worldwide event which embraced the new technologies of the Internet--and profiles the small group of people who made it happen. The book comes with an audio CD and a CD-ROM for Macintosh and Windows 95. 800 color illustrations.