You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A pioneering philanthropist and daughter of American royalty reveals what it was like to grow up in one of the world’s most famous families. The great-granddaughter of John D. Rockefeller, Eileen Rockefeller learned in childhood that while wealth and fame could open any door, they could not buy a feeling of personal worth. The privileges of having servants and lavish summer homes were offset by her parents’ thoughtful yet firm lessons in social obligation, at times by her mother’s dark depressions and mercurial moods, and the competition for attention among her siblings. In adulthood, Rockefeller has yearned to be seen not as an icon but as a woman and mother with a normal life, and like all of us, she had to learn to find her own way. Being a Rockefeller, Becoming Myself is an affirmation of how family shapes our identity and the ways we contribute to the larger family of life, regardless of our origins.
Used car dealer Sam Samson never backs down from a fight, whether it's against an irate customer like Pete Not-So-Happy, an American Indian who's as big as Hulk Hogan, or against the IRS, which is even bigger than Hulk Hogan. When IRS Special Agent Elliott Mess, who looks like Robert Stack as Eliott Ness in "The Untouchables," steals Samson's money, they get into an altercation. At his trial for tax evasion, and assaulting an IRS agent, Samson is asked why he filed no tax returns for 17 years. He says he forgot. The jury buys this argument, but Mess rigs the trial. Samson decides he ain't gonna take it anymore. He declares war against the United States government. Guess who wins.
Essays that suggest new ways of understanding the role that US actors and agencies have played in Latin America." - publisher.
In the spirit of The Gentle Art of Swedish Death Cleaning and The Joy of Less, experience the benefits of buying less and sharing more with this accessible 7-step guide to decluttering, saving money, and creating community from the creators of the Buy Nothing Project. In their island community, friends Liesl Clark and Rebecca Rockefeller discovered that the beaches of Puget Sound were spoiled by a daily influx of plastic items and trash washing on shore. From pens and toothbrushes to toys and straws, they wondered, where did it all come from? Of course, it comes from us—our homes, our backyards, our cars, and our workplaces. And so, a rallying cry against excess stuff was born. In 2013, th...
An exploration of the roles flowers play in the production of our foods, spices, medicines, and perfumes reveals their origins, myriad shapes, colors, textures and scents, bizarre sex lives, and how humans-- and the natural world-- relate and depend upon them.
An “irresistible” account of a little-known literary salon and creative commune in 1940s Brooklyn (The Washington Post Book World). A San Francisco Chronicle Best Book of the Year February House is the true story of an extraordinary experiment in communal living, one involving young but already iconic writers—and America’s best-known burlesque performer—in a house at 7 Middagh Street in Brooklyn. It was a fevered yearlong party, fueled by the appetites of youth and a shared sense of urgency to take action as artists in the months before the country entered World War II. In spite of the sheer intensity of life at 7 Middagh, the house was for its residents a creative crucible. Carson...
Chronicles the life of Elaine Bartlett, a woman who spent sixteen years in prison for selling cocaine, tracing her steps as she is released from prison and tries to reconstruct her life.
WINNER, 2021 Chicago Writers Association Book of the Year in Traditional Nonfiction! Chicago’s quirky patron saint This thrilling story of a daughter of America’s foremost industrialist, John D. Rockefeller, is complete with sex, money, mental illness, and opera divas—and a woman who strove for the independence to make her own choices. Rejecting the limited gender role carved out for her by her father and society, Edith Rockefeller McCormick forged her own path, despite pushback from her family and ultimate financial ruin. Young Edith and her siblings had access to the best educators in the world, but the girls were not taught how to handle the family money; that responsibility was res...
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.