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Spatial Nosing
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Postcolonial and Gender Perspectives in Irish Studies
This book represents an attempt to tackle questions related to fragmented and often conflicting ideologies within Irish studies. Although a collective outcome, with contributions in English and Spanish, its unifying concern has been the appliance of postcolonial and gender perspectives to the analysis of Irish literature (prose, drama and verse) and cinema, as well as to the aesthetic production of both the Republic of Ireland and Northern Ireland. Along the volume, while some authors have chosen to delve into the broad theoretical debate concerning the position of Irish studies within postcolonial and feminist theories, others offer detailed examinations of specific literary pieces and authors that fit in this panorama. All in all, the chapters are wide and diverse enough to trace a spatial and temporal map of the evolution of these paradigms within contemporary Irish studies, North and South of the border.
Songs of Living
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My Self, My Muse
A unique look into the minds and creative processes of contemporary Irish women poets, this book focuses on the transformation of their life experiences into poetry that blends personal identity with national identiry. It assembles many voices around common themes that are emerging to change Irish poetry permanently. Patricia Boyle Haberstroh, whose book Women Creating Women: Contemporary Irish Women Poets was a Choice Outstanding Academic book in 1996, shows in this new work how nine of the most prolific Irish women writers generate their poetry, broadening our understanding of the context of the poems. She pairs each author's verse with a companion (and often autobiographical) prose piece ...
Two Irelands
The very different histories of the North and South are reflected in their literature. While women in the Republic of Ireland have tended to write about social issuessexism, crime, unemployment, and domestic violencewomen in Northern Ireland focused on their society's historical tension and primarily nationalist and unionist politics. However, Pelan maintains that feminist ideology has provided contemporary Irish women with an alternate political stance that incorporates gender and nationality/ethnicity and allows them to move beyond the usual binaries of politics, history, and languageIrish and English. In an analysis enriched by a sophisticated but accessible engagement with contemporary f...
Out of What Began
The first book of its kind, Out of What Began traces the development of a distinctive tradition of Irish poetry over the course of three centuries. Beginning with Jonathan Swift in the early eighteenth century and concluding with such contemporary poets as Seamus Heaney and Eavan Boland, Gregory A. Schirmer looks at the work of nearly a hundred poets. Considering the evolving political and social environments in which they lived and wrote, Schirmer shows how Irish poetry and culture have come to be shaped by the struggle to define Irish identity. Schirmer includes a large number of accomplished poets who have been unjustly neglected in standard accounts of Irish literature; many of these writers are women, whose work has been kept in the shadows cast by that of well-known male poets. He also emphasizes the importance of political poetry in a country that continues to be torn by sectarian violence. With its rich selection of poetic voices, Out of What Began reveals the political, social, and religious diversity of Irish culture.
Light, Freedom and Song
In this absorbing analysis of modern Irish writing, an acknowledged expert considers the hybrid character of modern Irish writing to show how language, culture, and history have been affected by the colonial encounter between Ireland and Britain. Examining the great themes of loss and struggle, David Pierce traces the impact on Irish writing of the Great Famine and cultural nationalism and considers the way the work of Ireland’s two leading writers, W. B.Yeats and James Joyce, complicate and elucidate our view of "the harp and the crown.” The book draws a contrast between the West of Ireland in the 1930s, when the new Irish State enjoyed its first full independent decade, and the North of Ireland in the 1980s, when the spectre of British imperialism threatened the stability of Ireland. Pierce then surveys contemporary Irish writing and reflects on the legacy of the colonial encounter and on the passage to a postmodern or postnationalist Ireland in the work of such crucial living writers as John Banville, Derek Mahon, and John McGahern.
The Oxford Companion to Modern Poetry in English
This impressive volume provides over 1,700 biographical entries on poets writing in English from 1910 to the present day, including T. S. Eliot, Dylan Thomas, and Carol Ann Duffy. Authoritative and accessible, it is a must-have for students of English and creative writing, as well as for anyone with an interest in poetry.
The Poetry of Eavan Boland
"Pilar Villar-Argáiz's sustained, meticulous, and exacting study of Eavan Boland opens up and articulates in a fresh way the key dimensions of her poetry. It succeeds not only in tracking the far-reaching ramifications of Eavan Boland's politicized aesthetic as a postcolonial writer but in urging us to revisit the crystalline and precisely etched poems of one of the most significant artists in contemporary Irish culture." Professor Anne Fogarty, University College, Dublin (from the Introduction) This monograph is an original and important contribution to the growing body of critical studies devoted to one of Ireland's major living poets: Eavan Boland (see Haberstroh 1996; Hagen & Zelman 200...
