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Despite the enormous work on diasporas relating to Africa, the majority of this work focuses on trade diasporas located in West African groups, only mentioning the pre-colonial period in passing. Therefore, there is a need to redirect research on diasporas from within Africa to include non-economic diasporas during this time period. Diasporas and Ethnic Identity in Africa: The Edo ne Ekue among the Northeast Yoruba, 1485–1995 fills a gap by discussing the existence of diasporas in pre-colonial Africa that have been neglected by African scholars. Using the Edo ne Ekue as a case study, Uyilawa Usuanlele examines Edo people by shedding light on their political institutions, trading networks, ...
Edited by Barbara Plakensteiner. Foreword by O.J. Eboreime.
"Readership: Historians and social anthropologists of Africa and India and all those interested in modern intellectual history, in the interactions between orality and literacy, and in local/global and local/state relationships."--BOOK JACKET.
Local histories, written and published by non-academic historians, constitute a rapidly expanding genre in contemporary non-Western societies. However, academic historians and anthropologists usually take little notice of them. This volume takes a comparative look at local historical writing. Thirteen case studies, set in seven different countries of sub-Saharan Africa, India and Nepal, examine the authors, their books and their audiences. From different perspectives, they analyse the genre's intellectual roots, its relationship to oral historical narratives, and its relevance and impact in local and wider arenas. Local histories, it turns out, pursue a variety of agendas. They (re)construct local and communal identities affected by rapid social change. Often, they (re)write history as part of cultural and political struggles. Openly or implicitly, all of them place local communities on the map of the world at large.
Interrogates and explores African literature in African languages today, and the continuing interfaces between works in indigenous languages and those written in European languages or languages of colonizers. Sixty years after the Conference of African Writers of English Expression at Makerere University, the dominance in the global canon of African literatures written in European languages over those in indigenous languages continues to be an issue. This volume of ALT re-examines this central question of African literatures to ask, 'What is the state of African literatures in African languages today?' Contributors discuss the translation of Gurnah's novel Paradise to Swahili, and Osemwegie'...
This companion examines the global Renaissance through object-based case studies of artistic production from Africa, Asia, the Americas, and Europe in the early modern period. The international group of contributors take an art historical approach characterized by close analysis of form and meaning as well as function, and a focus on questions of crosscultural dialogue and adaptation. Seeking to de-emphasize the traditional focus on Europe, this book is a critical guide to the literature and the state of the field. Chapters outline new questions and agendas while pushing beyond familiar material. Main themes include workshops, the migrations of artists, objects, technologies, diplomatic gift...
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A Prospect Best Book of 2021 ‘A fascinating and timely book.’ William Boyd ‘Gripping…a must read.’ FT ‘Compelling…humane, reasonable, and ultimately optimistic.’ Evening Standard ‘[A] valuable guide to a complex narrative.’ The Times In 1897, Britain sent a punitive expedition to the Kingdom of Benin, in what is today Nigeria, in retaliation for the killing of seven British officials and traders. British soldiers and sailors captured Benin, exiled its king and annexed the territory. They also made off with some of Africa’s greatest works of art. The ‘Benin Bronzes’ are now amongst the most admired and valuable artworks in the world. But seeing them in the British Museum today is, in the words of one Benin City artist, like ‘visiting relatives behind bars’. In a time of huge controversy about the legacy of empire, racial justice and the future of museums, what does the future hold for the Bronzes?