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Women in Music
  • Language: en
  • Pages: 870

Women in Music

  • Type: Book
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  • Published: 2012-07-26
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  • Publisher: Routledge

Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.

Activist Unionism
  • Language: en
  • Pages: 314

Activist Unionism

  • Type: Book
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  • Published: Unknown
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  • Publisher: M.E. Sharpe

A series of articles examining the economic ideas of activist/scholar Barkin who, in a career spanning 60 years, served as a consultant and writer of commission reports for state government on issues concerning old age assistance and older workers, as an analyst and administrator in the National Recovery Administration of the New Deal, as chief research officer of the Textile Workers Union of America, and as secretary of research on manpower and social affairs in the Organization for Economic Cooperation and Development, before finishing his career as a professor of economics at the U. of Massachusetts at Amherst. Paper edition (293-1), $22.50. Annotation copyright by Book News, Inc., Portland, OR

Reflections of an American Composer
  • Language: en
  • Pages: 296

Reflections of an American Composer

In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930s, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.

Guide to the Pianist's Repertoire
  • Language: en
  • Pages: 1215

Guide to the Pianist's Repertoire

Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.

Annual Report
  • Language: en
  • Pages: 342

Annual Report

  • Type: Book
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  • Published: 1967
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  • Publisher: Unknown

Reports for 1980-19 also include the Annual report of the National Council on the Arts.

Menergy
  • Language: en
  • Pages: 289

Menergy

For most of the US, disco died in 1979. Triggered by the infamous Disco Demolition night at Comiskey Park in Chicago on July 12, 1979, a backlash made the word disco an overnight punchline. Major labels dropped disco artists and producers, and those mainstream musicians who had jumped on the bandwagon just as quickly threw themselves off. Gay men, however, continued to dance, and in the gay enclave of the Castro District in San Francisco, enterprising gay DJs, record producers, and musicians started their own small dance music record labels to make up for the lack of new, danceable music. Almost immediately this music reached far beyond the Bay, with Megatone Records, Moby Dick Records, and ...

Performing Gender, Place, and Emotion in Music
  • Language: en
  • Pages: 216

Performing Gender, Place, and Emotion in Music

Presenting a range of ethnographic case studies from around the globe, this edited collection offers new ways of thinking about the interconnectivity of gender, place, and emotion in musical performance.

The Oxford Handbook of Community Singing
  • Language: en
  • Pages: 1009

The Oxford Handbook of Community Singing

"The Oxford Handbook of Community Singing shows in abundant detail that singing with others is thriving. Using an array of interdisciplinary methods, chapter authors prioritize participation rather than performance and provide finely grained accounts of group singing in community, music therapy, religious, and music education settings. Themes associated with protest, incarceration, nation, hymnody, group bonding, identity, and inclusivity infuse the 47 chapters. Written almost wholly during the 2020-21 COVID-19 pandemic, the Handbook features a section dedicated to collective singing facilitated by audiovisual or communications media (mediated singing), some of it quarantine-mandated. The last of eight substantial sections is a repository of new theories about how group singing practices work. Throughout, the authors problematize the limitations inherited from the western European choral music tradition and report on workable new remedies to counter those constraints"--

Harry Partch
  • Language: en
  • Pages: 220

Harry Partch

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Chican@ Artivistas
  • Language: en
  • Pages: 181

Chican@ Artivistas

  • Categories: Art

As the lead singer of the Grammy Award–winning rock band Quetzal and a scholar of Chicana/o and Latina/o studies, Martha Gonzalez is uniquely positioned to articulate the ways in which creative expression can serve the dual roles of political commentary and community building. Drawing on postcolonial, Chicana, black feminist, and performance theories, Chican@ Artivistas explores the visual, musical, and performance art produced in East Los Angeles since the inception of NAFTA and the subsequent anti-immigration rhetoric of the 1990s. Showcasing the social impact made by key artist-activists on their communities and on the mainstream art world and music industry, Gonzalez charts the evoluti...