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Beyond the Icon
Demonstrates how contemporary Asian American creators employ graphic narrative to counter harmful misrepresentations and show Asian Americans as complex, nuanced individuals.
The Politics of the Visible in Asian North American Narratives
Examining nine Asian Canadian and Asian American narratives, Eleanor Ty explores how authors empower themselves, represent differences, and re-script their identities as 'visible minorities' within the ideological, imaginative, and discursive space given to them by dominant culture. In various ways, Asian North Americans negotiate daily with 'birthmarks, ' their shared physical features marking them legally, socially, and culturally as visible outsiders, and paradoxically, as invisible to mainstream history and culture. Ty argues that writers such as Denise Chong, Shirley Geok-lin Lim, and Wayson Choy recast the marks of their bodies and challenge common perceptions of difference based on th...
Empowering the Feminine
That focus invests these attributes with new meaning, making supposed female weaknesses potentially active forces for social change.
Unsex'd Revolutionaries
Using historical and feminist psycho-linguistic studies as a base, Ty explores some of the complexities encountered in the writings of Mary Wollstonecraft, Mary Hays, Helen Maria Williams, Elizabeth Inchbald, and Charlotte Smith
The Victim of Prejudice - Second Edition
Mary Hays was an outspoken Radical intellectual in the turbulent decade of the 1790’s. She argued vehemently for the need to recognise the moral and rational qualities of women, the necessity of a better system of education for girls, and the importance of giving women without fortunes a career without ‘servitude in prostitution.’ The Victim of Prejudice—Hays’ second novel, first published in 1799—is a powerful indictment of man-made institutions such as the courts and legislative systems which favour persons of wealth and rank. In the novel the metaphor of women’s confinement becomes real as the heroine’s worst nightmares, her horrors and sense of helplessness become a physical reality. The Victim of Prejudice is of great interest for its strong feminist content, and it is both powerful and moving as a literary work; this edition makes this important late eighteenth-century text again available to a wide readership.
The Memory Effect
The Memory Effect is a collection of essays on the status of memory—individual and collective, cultural and transcultural—in contemporary literature, film, and other visual media. Contributors look at memory’s representation, adaptation, translation, and appropriation, as well as its mediation and remediation. Memory’s irreducibly constructed nature is explored, even as its status is reaffirmed as the basis of both individual and collective identity. The book begins with an overview of the field, with an emphasis on the question of subjectivity. Under the section title Memory Studies: Theories, Changes, and Challenges, these chapters lay the theoretical groundwork for the volume. Sec...
The Victim of Prejudice - Second Edition
Mary Hays was an outspoken Radical intellectual in the turbulent decade of the 1790’s. She argued vehemently for the need to recognise the moral and rational qualities of women, the necessity of a better system of education for girls, and the importance of giving women without fortunes a career without ‘servitude in prostitution.’ The Victim of Prejudice—Hays’ second novel, first published in 1799—is a powerful indictment of man-made institutions such as the courts and legislative systems which favour persons of wealth and rank. In the novel the metaphor of women’s confinement becomes real as the heroine’s worst nightmares, her horrors and sense of helplessness become a physical reality. The Victim of Prejudice is of great interest for its strong feminist content, and it is both powerful and moving as a literary work; this edition makes this important late eighteenth-century text again available to a wide readership.
Unfastened
Unfastened examines literary works and films by Asian Americans and Asian Canadians that respond critically to globality--the condition in which traditional national, cultural, geographical, and economic boundaries have been--supposedly--surmounted. In this wide-ranging exploration, Eleanor Ty reveals how novelists such as Brian Ascalon Roley, Han Ong, Lydia Kwa, and Nora Okja Keller interrogate the theoretical freedom that globalization promises in their depiction of the underworld of crime and prostitution. She looks at the social critiques created by playwrights Betty Quan and Sunil Kuruvilla, who use figures of disability to accentuate the effects of marginality. Investigating works base...
The Politics of the Visible in Asian North American Narratives
Through close readings grounded in the socio-historical context of each work, Ty studies how authors and filmmakers meet the gaze of the dominant culture and respond to the assumptions and meanings commonly associated with Orientalized, visible bodies. Ty does not survey Asian Canadian and Asian America literature, but presents readings of selected texts that actively engage with issues of otherness, visibility, and identification. Many of them, she says, are in the process of working out how larger issues of representation, power, and history affect Asian North American subjectivity. Parts of the work have been published previously.
Asian Canadian Writing Beyond Autoethnography
"Asian Canadian Writing beyond Autoethnography explores some of the latest developments in the literary and cultural practices of Canadians of Asian heritage. While earlier work by ethnic, multicultural, or minority writers in Canada was often concerned with immigration, the moment of arrival, issues of assimilation, and conflicts between generations, literary and cultural production in the new millennium no longer focuses solely on the conflict between the Old World and the New or the clashes between culture of origin and adopted culture. No longer are minority authors identifying simply with their ethnic or racial cultural background in opposition to dominant culture." "The essays in this collection explore ways in which Asian Canadian authors and artists have gone beyond what Francoise Lionnet calls autoethnography, or ethnographic autobiography. They demonstrate the ways representations of race and ethnicity, particularly in works by Asian Canadians in the last decade, have changed--have become more playful, untraditional, aesthetically and ideologically transgressive, and exciting."--Jacket.
