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Igor Vieru
None
Pavel Șillingovski
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The Atlas of Beauty
Photographs and stories of 500 women from around the world, based on the author's hugely popular website. Since 2013 Mihaela Noroc has travelled the world with her backpack and camera taking photos of everyday women to showcase the diversity and beauty all around us. The Atlas of Beauty is a collection of her photographs that celebrates women from fifty countries across the globe and shows that beauty is everywhere, regardless of money, race or social status, and comes in many different sizes and colours. Mihaela's portraits feature women in their native environments, from the Amazon rain forest to markets in India, London city streets and parks in Harlem, creating a mirror of our varied cultures and proving that beauty has no rules. 'Stunning . . . aims to challenge the ideals of beauty dictated by the women's fashion magazine industry' Independent 'A startling and revealing project' Daily Mail 'Scrolling through "The Atlas of Beauty", beauty becomes not a universal standard, but a complicated tapestry' Huffington Post
Moisey Gamburd
None
Origin of Christian Church Art, New Facts and Principles of Research
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Imperial Rule
Renowned academics compare major features of imperial rule in the 19th century, reflecting a significant shift away from nationalism and toward empires in the studies of state building. The book responds to the current interest in multi-unit formations, such as the European Union and the expanded outreach of the United States. National historical narratives have systematically marginalized imperial dimensions, yet empires play an important role. This book examines the methods discerned in the creation of the Habsburg Monarchy, the Ottoman Empire, the Hohenzollern rule and Imperial Russia. It inspects the respective imperial elites in these empires, and it details the role of nations, religions and ideologies in the legitimacy of empire building, bringing the Spanish Empire into the analysis. The final part of the book focuses on modern empires, such as the German "Reich." The essays suggest that empires were more adaptive and resilient to change than is commonly thought.
Tretchikoff
"While Vladimir Tretchikoff (1913-2006) is undoubtedly one of South Africa's most controversial artists, much maligned in the 1960s and onwards by several members of the established arts community, there can be no doubt that he has become a cultural icon and remains a favourite artist to many South Africans. Despite this, there has been almost no serious assessment of Tretchikoff’s legacy. In his heyday Tretchikoff's exhibitions drew record audiences at his home and abroad and he was considered to be one of the richest artists, with earnings comparable to Picasso. He pioneered the idea of selling affordable copies of his works, enabling working class people to own art which they proudly displayed above their mantelpieces. This retrospective exhibition aims to examine Tretchikoff anew and place him in contemporary perspective. Many iconic works such as the Chinese Girl and The Dying Swan will be on display."--Publisher website.
Abstracts of Communications
Contains the abstracts of communications to be delivered at the Sixth International Conference for Nubian Studies, arranged at Uppsala, 11-16 August, 1986, under the auspices of the Swedish Academy of Letters in cooperatin with the Universities of Bergen and Uppsala.
