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A rich and fascinating account of one of music history’s most ancient, varied, and distinctive instruments From its origins in animal horn instruments in classical antiquity to the emergence of the modern horn in the seventeenth century, the horn appears wherever and whenever humans have made music. Its haunting, timeless presence endures in jazz and film music, as well as orchestral settings, to this day. In this welcome addition to the Yale Musical Instrument Series, Renato Meucci and Gabriele Rocchetti trace the origins of the modern horn in all its variety. From its emergence in Turin and its development of political and diplomatic functions across European courts, to the revolutionary invention of valves, the horn has presented in innumerable guises and forms. Aided by musical examples and newly discovered sources, Meucci and Rocchetti’s book offers a comprehensive account of an instrument whose history is as complex and fascinating as its music.
A highly illustrated biography and study of Stradivari, the greatest violin maker, including colour photographs of his most famous instruments.
Italians of Greater Cincinnati focuses on the Italian immigration into the Cincinnati area beginning in the early 1800s. The northern Italians were the first to arrive, followed by those in the south of Italy, including Sicily. In the spring of 1892, plans were being made to build a Catholic church for the estimated 4,000 Italian immigrants. In 1897, two biological Italian immigrant sisters, who had joined the religious order of the Sisters of Charity of Cincinnati, Sr. Blandina and Sr. Justina Segale, began their life's work with the poor immigrants living in the Cincinnati area. Today descendants of these early immigrants, as well as those who arrived in the 20th century, continue to celebrate their rich Italian heritage through social clubs and community involvement. The photographs contained in this volume detail the lives of the Italians as they strived to become Americans.
In the two decades since the elusive "slow reacting substance of anaphylaxis" (SRS-A) was identified as a product of the action of the 5-lipoxygenase enzyme on arachidonic acid, it has been well established that the leukotrienes are key mediators of both alIergy and inflammation. Their release by alIergen or other challenge has been demonstrated in the lungs of asthmatic subjects, and measurement of urinary leukotriene concentrations in such patients has been shown to be a valuable, non invasive indicator. Significant progress has been made towards the characterization of the leukotriene receptor subtypes, exemplified by the cloning of the LTB4 receptor earlier this year. Coupled with this t...
Includes entries for maps and atlases.
"In his analysis, Marvin Rosenberg sets out to steer a path between the "extremes" of Rome and Egypt and all they stand for: and to explore the relentless "to and back" confrontation of their different sets of values which leads ultimately to destruction."
The life, times, and travels of a remarkable instrument and the people who have made, sold, played, and cherished it. A 16-ounce package of polished wood, strings, and air, the violin is perhaps the most affordable, portable, and adaptable instrument ever created. As congenial to reels, ragas, Delta blues, and indie rock as it is to solo Bach and late Beethoven, it has been played standing or sitting, alone or in groups, in bars, churches, concert halls, lumber camps, even concentration camps, by pros and amateurs, adults and children, men and women, at virtually any latitude on any continent. Despite dogged attempts by musicologists worldwide to find its source, the violin’s origins remai...
This book is the only complete and up-to-date annotated bibliography available on women's activities and contributions in the creation and performance of music through the ages. Encompassing major books, articles and recordings published over the past five decades, the book examines a broad cross-section of contemporary thought, with each entry - with over 500 devoted to resources from countries outside the US - including annotation along with a critical description of content.
"Monteverdi in Venice also contains a discussion of performance practice, shedding light on the odd distortions of the composer's musical habits produced by today's fads and fashions. His vocal works, meant to be performed one or two voices to a part, are consistently given by massed choirs. His music is willfully transposed, although there is not a shred of evidence to prove that they were ever interfered with. Most of the instruments used in modern renderings are hopelessly wrong from a tonal point of view."--BOOK JACKET.