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Although Brazil is the largest Afro-descendant country outside of Africa, the literature produced by Black Brazilians is mostly unknown both in Brazil and abroad. There is a growing worldwide demand for Afro-descendant literature and a demand for decolonial practices and content, especially within Lusophone literature and literature across the Americas. Contemporary Afro-Brazilian Short Fiction emerges from a UCL-sponsored collaborative translation project, bridging Afro-Brazilian literature with a global audience to respond to the worldwide call for Afro-diasporic narratives. This unique compilation of 21 short stories includes both established and emerging Afro-Brazilian voices. The anthol...
This book brings together authors from different institutions and perspectives and from researchers specialising in different aspects of the experiences of the African Diaspora from Latin America. It creates an overview of the complexities of the lives of Black people over various periods of history, as they struggled to build lives away from Africa in societies that, in general, denied them the basic right of fully belonging, such as the right of fully belonging in the countries where, by choice or force of circumstance, they lived. Another Black Like Me thus presents a few notable scenes from the long history of Blacks in Latin America: as runaway slaves seen through the official documenta...
An interdisciplinary study on the myth of racial democracy in Brazil through the prism of producers of Afro-Brazilian culture.
In the last several decades, the number of films featuring female protagonists has increased significantly. Many of these films reflect the vast cultural and sociological changes that have taken place since the early 1960s, highlighting not only a wide spectrum of female characters depicted onscreen, but the creative work of women behind the camera as well. In Reel Women: An International Directory of Contemporary Feature Films about Women, media librarian Jane Sloan has assembled an impressive list of more than 2400 films—from nearly 100 countries—that feature female protagonists. Each entry includes a brief description of the film and cites key artistic personnel, particularly female d...
The eugenesis of beauty -- Plastic governmentality -- The circulation of beauty -- Hope, affect, mobility -- The raciology of beauty -- Cosmetic citizens
A collection of essays, interviews, and conversations by and between scholars, activists, and artists from Latin America and the Caribbean that paints a portrait of Black women's experiences across the region. Black women in Latin America and the Caribbean suffer a triple erasure: as Black people, as women, and as non-English speakers in a global environment dominated by the Anglophone North. Black Feminist Constellations is a passionate and necessary corrective. Focused on and written by Black women of the southern Americas, the original works composing this volume make legible the epistemologies that sustain radical scholarship, art, and political organizing by Black women everywhere. In e...
This book offers a fresh look into the “languages of postcolonial modernity” in Africa and, to a lesser degree, its diaspora. It foregrounds the notion of postcolonial modernity in reference to modernization as experienced in the postcolony and its contemporary legacies, and investigates how African languages and literatures, both as means of communication and as instruments of cultural agency, have embodied and mediated modernity. Each chapter grapples with the literary or linguistic dimensions of postcolonial modernity as portrayed in African novels, film, poetry or popular music or as embodied in African and Afro-diasporic languages and dialects. The chapters also reveal how literature and language, respectively, document and embody discourses, phenomena, histories, ideologies, and beliefs that resulted from the legacies of colonialism.
O tema de Martha Medeiros é o cotidiano. Vivemos um tempo de manchetes espetaculares explodindo nos jornais; a vida passa ao vivo pela TV e todos nós acabamos por compartilhar planetariamente os dramas do mundo. E se por um lado há o grande mundo que todos vêem pela televisão, por outro, há o pequeno e anônimo mundo de cada um de nós. O cotidiano dos milhares de pessoas que circulam pela cidade grande com suas incertezas, alegrias, dúvidas, paixões, dramas e esperanças. Martha extrai da complexidade dos tempos que correm a reflexão que atinge e aquece o coração dos seus leitores. E por isso é admirada. Cronista de sucesso, é autora dos best-sellers Trem-bala e Divã (ambos adaptados com sucesso para o teatro). Poeta de rara sensibilidade, publicou vários livros de poesia com reconhecimento de público e crítica. Uma escritora que se destaca como uma das grandes vozes da literatura contemporânea brasileira.