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Concise Dictionary of Women Artists
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
Work Life 2000
The second of a series of Yearbooks in the Work Life 2000 programme, preparing for the Work Life 2000 Conference in Malmö 22 - 25 January 2001, as a part of the Swedish Presidency of the European Union
Dictionary of Women Artists: Introductory surveys ; Artists, A-I
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
The 1912 Stockholm Olympics
King Gustaf V of Sweden inaugurated the Fifth Olympiad at the Olympic Stadium in Stockholm on July 6, 1912. In the following weeks, 2,380 competitors from 27 nations representing six continents participated in well-organized competitions in perfect weather conditions. The largest Olympics yet at the time, the Stockholm Games have thus gone down in history as the Sunshine Olympics, or "the Swedish Masterpiece." Since that achievement, and despite numerous attempts by other Swedish cities, Sweden has not yet managed to host the Olympic Games again. This work examines the 1912 Stockholm Olympics from a variety of perspectives, exploring the preparations, organization, competitions, participants, and spectators, as well as the continuing significance of the 1912 Games to Sweden and to the future of the Olympic movement.
Sculpture 1900-1945
This book provides a comprehensive analysis of the significant growth of sculpture as an artistic form in Europe and America from 1900-1945. Using a clearly-defined thematic structure it identifies key issues and developments throughout this important period in the history of art. Individualchapters cover: public sculpture, the monument, the object, image-making, the built environment, the figurative ideal, and different materials. These themes broadly reflect the changing cultural and political climate of a turbulent period which included two world wars, each preceded by widespreadrising nationalism. The practice of sculpture is considered within the wider artistic context of painting and architecture and the development of international art markets. Auguste Rodin, whose ground-breaking exhibition opened in Paris in 1900, serves as the book's point of departure, and as arecurrent point of reference.
Pictorial Concepts
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Aris
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The Routledge Companion to Expressionism in a Transnational Context
The Routledge Companion to Expressionism in a Transnational Context is a challenging exploration of the transnational formation, dissemination, and transformation of expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, and South Africa, in the first half of the twentieth century. Comprising a series of essays by an international group of scholars in the fields of art history and literary and cultural studies, the volume addresses the intellectual discussions and artistic developments arising in the context of the expressionist movement in the various art centers and cultural regions. The authors also examine the implications of expressionism in artistic practice and its influence on modern and contemporary cultural production. Essential for an in-depth understanding and discussion of expressionism, this volume opens up new perspectives on developments in the visual arts of this period and challenges the traditional narratives that have predominantly focused on artistic styles and national movements.
