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"Essays on the Intersection of Music and Architecture" is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary conference Architecture Music Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of the relations between music and architecture via translations of architectural spaces into music to analytical case studies of architectural spaces for musical performance. The book includes illustrations, author biographies, and an index.
A Map of Hutopolis sumarizes a research programme that extrapolates the lessons learned from the Chinese hutongs into the realm of visionary scenarios applicable to new models of urbanization. In the making of the city only an orchestra of voices and thoughts played out by a large variety of citizens, policy-makers, professionals and researchers could lead towards a balanced and sustainable living and working city, that is why the research seized upon the objectivity of foreign researchers, complemented with the knowledge of local teams, and worked to turn it into a productive exchange.
This publication presents an exploration of space and spatiality in the arts, more specifically the poetry of (abstract) space and the (psychological) perception of space. With a particular focus on immersive installations, spatial sound, multi-screen projections, audiovisual performances, and the innovative artistic use of technology that often takes centre-stage at Sonic Acts, the publication provides insights into the various ways in which the arts approach and define space. Among others, the critical essays explore extremely long sound waves, volcano eruptions and Alvin Lucier, the fascinating history of dioramas, the legendary Vortex concerts of Henry Jacobs and Jordan Belson and the ways in which mobile and location-aware technology profoundly changes the use of social and public space. Interviews with artists, architects and composers shed light on how contemporary artists approach space and spatiality.
Content: New information and communication techniques have significant influences on urban life. In this book, international and interdisciplinary research, projects and considerations about the emerging 'Mediacity' are presented. Contributions from scientists, artists, and architects from 14 different countries are analyzing, researching and creatively approaching the cultural, social, political, and economical phenomena of the encounter between media and urban space. The Editor: Frank Eckardt is professor for 'Sociology of Globalization' at the Bauhaus University in Weimar, Germany. He holds a PhD in Political Science. His main field of research is urban studies. Since 2004, he ist the coordinator of the research project 'Mediacity'.
This first comprehensive monograph on the architecture of Günter Behnisch, his partners and co-workers, gives an analysis of his architecture and the special way in which the office has always been organised, from its establishment in 1952 to the most recent buildings. A selection of 42 buildings and projects, drawn from this half century of practice, reveal the remarkable adaptability of the firm and its capacity for growth and change, and to accomodate evolving social and cultural requirements. Such notable buildings include the Fachhochschule Ulm - the first large, entirely pre-fabricated public building in Germany; the Olympia Park in Munich; the famous Hysolar Institute Building, Stuttgart; the new Parliament Building in Bonn and a large number of new buildings, several of which, including the Bristol Centre for the Performing Arts are published for the first time. There are also numerous texts written by Günter Behnisch for this book, as well as excerpts from his lectures and writings, which clarify the design method and teaching approach of Behnisch within his overall philosophy of architecture.
Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications—the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another?
Whilst our outside world is modifying into a more complex and hybrid networked world, our most intimate dwelling, our home, is at risk of falling behind as for many it seems to have remained the same as it has been for many decades. This book explores what it means to have a home in such a networked world. It describes what architecture can, or perhaps should, contribute to enable a more participatory role for inhabitants. This forward-thinking book will try to answer the question - What is the role and position of technology in our most intimate locations both now and what could it be like in the future?
Noo-politics is most broadly understood as a power exerted over the life of the mind, reconfiguring perception, memory and attention. This volume unites specialists in political and aesthetic philosophy, neuroscience, sociology and architecture, and presents their ideas for re-thinking the city in terms of neurobiology and Noo-politics. The book examines the relationship between information and communication, calling for a new logic of representation, and shows how architecture can merge with urban systems and processes to create new forms of network that empower the imagination and change our cultural landscape.
A representative, fully illustrated survey of the designs of Behnisch and Partner, with an emphasis on their masterful ability to conjoin style and function.