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Feminism and Film Theory
First published in 1988. Feminism and Film Theory traces the major issues in feminist film theory as they have evolved over the last decade. Comprised of essays that are classics of this intellectually sophisticated area of cultural studies, Feminism and Film Theory makes available much sought after essays that are often difficult to find. Emphasizing the polemical challenge of feminism to film theory, this anthology forces us to reconsider film theory's most basic ideas about genre, narrative, image, spectatorship, and audience. The essays offer a model for a politically engaged critique of contemporary thought. Feminism and Film Theory will be of great interest to students and scholars concerned with film, critical theory, art and media, cultural studies, or feminism.
Cowie
Cowie is a donkey who feels like a cow on the inside. Will his friends help him make his dream come true? Find out in this sweetly told story about discovering your true self. Cowie was born a donkey but he knows he’s meant to be a cow. He wants to be a cow. Cows can graze in the meadow all day long and no one asks them to carry heavy packages. So, he stands with the cows in the barn but nothing happens. Will his dream ever come true, he wonders. Can Mousie and Duckie help Cowie feel happy in his own skin?
Recording Reality, Desiring the Real
Addressing the paradox of documentary.
Collecting Visible Evidence
In documentary studies, the old distinctions between fiction and nonfiction no longer apply, as contemporary film and video artists produce works that defy classification. Coming together to make sense of these developments, the contributors to this book effectively redefine documentary studies. They trace the documentary impulse in the early detective camera, in the reenactment of battle scenes from World War I, and in the telecast of the Nevada A-bomb test in 1952. Other topics include experiments in virtual reality; the crisis of representation in anthropology; and video art and documentary work that challenge the asymmetry of the postcolonial us/them divide. Book jacket.
Shades of Noir
These essays examine "film noir" in the light of contemporary social and political concerns, attempting to move beyond the views of the early French critics. Topics range from the re-emergence of "noir" in films such as "Bladerunner", to the relations between the sexes and the role of women.
Gender after Lyotard
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The Woman in Question
The Woman in Question collects some of the most memorable and important essays and editorials from m/f, the British journal that staked out new directions for feminist theory and politics from the mid-1970s to the mid-1980s. New introductory essays and a postscript written for this collection directly assess the relation of m/f to feminism's current concerns.
The Horror Film
Focusing on recent postmodern examples, this is a collection of essays reviewing the history of the horror film and the psychological reasons for its persistent appeal.
Shades of Noir
For this was the summer when, after the hiatus of the Second World War, French critics were again given the opportunity to view films from Hollywood. The films they saw, including The Maltese Falcon, Double Indemnity. Laura, Murder, My Sweet, and The Woman in the Window, prompted the naming and theorization of a new phenomenon: film noir. Much of what has been written about the genre since has remained within the orbit of this preliminary assessment. While sympathetic towards the early French critics, this collection of original essays attempts to move beyond their first fascinated look. Beginning with an autonomy of that look—of the 'poujadist' climate that nourished it and the imminent c...
