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Art and Faith in Mexico
Studies retabloes--Mexican paintings on tin created in the latter half of the nineteenth century--from art, religious, and historical perspectives, and discusses efforts made to restore and conserve the artwork.
The Embodied Eye
"Exploring a dazzling variety of religious imagery, David Morgan shows how vision functions as an active, physical process, embedded in bodily experience and profoundly shaped by social practice. Morgan's bold, thoughtful interpretations will fascinate art historians and students of visual culture as well as historians of religion.” -Pepe Karmel, Department of Art History, New York University "The Embodied Eye is an important and truly groundbreaking book. It represents a substantive and quite fascinating extension of David Morgan's previous work- especially as it impressively shows us how 'seeing' is the primary medium of social life, and materially integrates the body of the individual a...
The Pathos of the Cross
This volume traces how theologies and the arts of the Baroque period stressed the "pathos" of Christ's death on the cross as the means of salvation, and invited believers to an emotional response that binds them to Christ's saving act.
Icons in Time, Persons in Eternity
Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek conce...
A New Deal for Native Art
As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and ...
The Lady of Angels and Her City
The Lady of the Angels and Her City recounts Wendy Wright's visitations to her hometown's many Marian churches and shrines. But it is much more than a personal pilgrimage narrative. It offers important glimpses into the history of Los Angeles Catholicism, American Catholic culture, and Mary's place in Catholic theology and tradition. It peeks into the heroic labors of the religious orders that went on mission there and the waves of immigrants who have arrived on American shores. With Wright, readers will consider: Readers who know the geography of Los Angeles Catholicism will surely enjoy Wright's reflection on familiar places. But there is much here that will fascinate anyone interested in either the history of Christianity in America or devotion to Mary by those who love her today.
Theater of a Thousand Wonders
The first comprehensive historical study of the images and shrines of New Spain, rich in stories and patterns of change over time.
The Gift of Birds
Presenting 10 essays by experts in the fields of anthropology, ethnography, and ornithology on the native peoples of South America and their use of birds, this volume offers a fascinating view into the lives and customs of some of the indigenous peoples living in the rainforest and coastal areas of Brazil and Peru. This book includes color photographs of South American natives in festival and ritual celebrations and everyday activities, along with spectacular objects of featherwork, textiles, and pottery. Contributors: Ruben E. Reina, Kenneth M. Kensinger, Kay L. Candler, Virginia Greene, Elizabeth Netto Calil Zarur, Catherine V. Howard, Patricia J. Lyon, Jon F. Pressman, Peter T. Turst, and Mark Robbins. University Museum Monograph, 75
Victory on Earth or in Heaven
This work reconstructs the history of Mexico’s forgotten “Religionero” rebellion of 1873–1877, an armed Catholic challenge to the government of Sebastián Lerdo de Tejada. An essentially grassroots movement—organized by indigenous, Afro-Mexican, and mestizo parishioners in Mexico’s central-western Catholic heartland—the Religionero rebellion erupted in response to a series of anticlerical measures raised to constitutional status by the Lerdo government. These “Laws of Reform” decreed the full independence of Church and state, secularized marriage and burial practices, prohibited acts of public worship, and severely curtailed the Church’s ability to own and administer property. A comprehensive reconstruction of the revolt and a critical reappraisal of its significance, this book places ordinary Catholics at the center of the story of Mexico’s fragmented nineteenth-century secularization and Catholic revival.
ReVisioning
ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art. ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, "How have particular methods of art history been applied, and with what effect?" The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.
