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The Prisoners' Hidden Life, Or Insane Asylums Unveiled
"Mrs. Packard says that because she expressed 'obnoxious views' in Sunday School at the Old School Presbyterian Church in Manteno, Kankakee County, Illinois, her husband of twenty-one years and father of her six children, the Reverand Theophilus Packard, 'abducted' her and took her to the asylum and had her incarcerated (which was legal per Illinois statute of 1851). She faithfully recorded events of her imprisonment - for that is what it was - and declares that what happened to her was not uncommon. The conditions, attitudes and behavior she describes are dreadful and extreme - and not much improved twelve decades later" -- insert provided by seller.
The Great Drama
The Great Drama - The Millennial Harbinger. Vol. 1 is an unchanged, high-quality reprint of the original edition of 1878. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Elizabeth Packard
Elizabeth Packard's story is one of courage and accomplishment in the face of injustice and heartbreak. In 1860, her husband, a strong-willed Calvinist minister, committed her to an Illinois insane asylum in an effort to protect their six children and his church from what he considered her heretical religious ideas. Upon her release three years later (as her husband sought to return her to an asylum), Packard obtained a jury trial and was declared sane. Before the trial ended, however, her husband sold their home and left for Massachusetts with their young children and her personal property. His actions were perfectly legal under Illinois and Massachusetts law; Packard had no legal recourse ...
Mrs. Packard
“Emily Mann is one of our most urgently engaging, provocative and significant American playwrights.”—Joyce Carol Oates “Elizabeth Packard emerges as a vibrant, passionate force of nature.”—The New York Times Illinois, 1861: Without proof of insanity, Elizabeth Packard is committed by her husband to an asylum. Based on historical events, Emily Mann’s play tells of one woman’s struggle to right a system gone wrong in this winner of the Kennedy Center Fund for New American Plays Award. Emily Mann is a playwright and director, now in her nineteenth season as artistic director of McCarter Theatre. Her award-winning plays have been produced throughout the world.
Mothers on Trial
Updated and revised with seven new chapters, a new introduction, and a new resources section, this landmark book is invaluable for women facing a custody battle. It was the first to break the myth that mothers receive preferential treatment over fathers in custody disputes. Although mothers generally retain custody when fathers choose not to fight for it, fathers who seek custody often win—not because the mother is unfit or the father has been the primary caregiver but because, as Phyllis Chesler argues, women are held to a much higher standard of parenting. Incorporating findings from years of research, hundreds of interviews, and international surveys about child-custody arrangements, Ch...
The Oxford Handbook of Rhetorical Studies
Featuring roughly sixty specially commissioned essays by an international cast of leading rhetoric experts from North America, Europe, and Great Britain, the Handbook will offer readers a comprehensive topical and historical survey of the theory and practice of rhetoric from ancient Greece and Rome through the Middle Ages and Enlightenment up to the present day.
The Crimes of Womanhood
Cultural views of femininity exerted a powerful influence on the courtroom arguments used to defend or condemn notable women on trial in nineteenth-century and early-twentieth-century America. By examining the colorful rhetorical strategies employed by lawyers and reporters of women's trials in newspaper articles, trial transcriptions, and popular accounts, A. Cheree Carlson argues that the men in charge of these communication avenues were able to transform their own values and morals into believable narratives that persuaded judges, juries, and the general public of a woman's guilt or innocence. Carlson analyzes the situations of several women of varying historical stature, from the insanit...
