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Madness & Art
Recently interest has surged in what Jean Dubuffet called Art Brut, “raw art” produced by persons operating outside cultural norms, reflecting inner need rather than any “official” artistic attitude. Of the known practitioners of Art Brut, one of the most gifted was the Swiss peasant Adolf Wölfli. From 1895, when he was thirty-one, until his death in 1930, Wölfli was incarcerated in Waldau hospital, severely afflicted with rage and depression. Supplied with colored pencils and paper by his primary physician, Walter Morgenthaler, he began to draw. Morgenthaler’s pathbreaking study of Wölfli and his art, published in 1921, aimed at the center of contemporary debates about the relationships between creativity, madness, and art. This first English-language edition includes twenty-four color reproductions of Wölfli’s art and Wölfli’s brief account of his own life.
Creativity, Madness and Civilisation
What is ‘creativity’? And what is ‘madness’? How far can we interpret an artist’s work through our knowledge of his or her mental state, and how far can we infer a mental state from a work of art? When does a work of art cease to be a personal statement by the artist and become a matter of public concern? The contributions to this book attempt to answer some of these questions. They come from a wide range of disciplines and experiences – a practising psychiatrist, a practising artist suffering from reactive depression, and critics working in literature, film, music and the visual arts. The essays include discussions of the ‘myth of creativity’, the music of Robert Schumann, t...
Clinical Psychiatry in Imperial Germany
The psychiatric profession in Germany changed radically from the mid-nineteenth century to the beginning of World War I. In a book that demonstrates his extensive archival knowledge and an impressive command of the primary literature, Eric J. Engstrom investigates the history of university psychiatric clinics in Imperial Germany from 1867 to 1914, emphasizing the clinical practices and professional debates surrounding the development of these institutions and their impact on the course of German psychiatry.The rise of university psychiatric clinics reflects, Engstrom tells us, a shift not only in asylum culture, but also in the ways in which social, political, and economic issues deeply infl...
Poems for the Millennium, Volume One
"Global anthology of twentieth-century poetry"--Back cover.
Psycho-Politics between the World Wars
This book is about the psycho-political visions and programmes in early-twentieth century Germany, Austria, and Switzerland. Amidst the political and social unrest that followed the First World War, psychiatrists attempted to use their clinical insights to understand, diagnose, and treat society at large. The book uses a variety of published and unpublished sources to retrace major debates, protagonists, and networks involved in the redrawing of the boundaries of psychiatry’s sphere of authority. The book is based on three interconnected case studies: the overt pathologisation of the 1918/19 revolution led by right-wing German psychiatrists; the project of medical expansionism under the label of ‘applied psychiatry’ in inter-war Vienna; and the attempt to unite and implement different approaches to psychiatric prophylaxis in the movement for mental hygiene. By exploring these histories, the book also sheds light on the emergence of ideas that still shape the field to the present day and shows the close connection between utopian promises and the worst abuses of psychiatry.
Opera
An interdisciplinary study of the interconnected subtexts of erotic attraction, illness, and death in several 19th- and 20th-century operatic texts. This is an examination of how opera uses the singing body to give voice to the suffering person. It presents medical and literary sources to make sense of the changing depiction of disease in opera.
Jean-Paul Sartre and the Jewish Question
Examines the image of "the Jew" in Sartre's work to rethink not only his oeuvre but also the role of the intellectual in France and the politics and ethics of existentialism. This book explores how French identity is defined through the abstraction and allegorization of "the Jew".
The Exquisite Corpse
This work addresses historical and contemporary manifestations of poems, drawings, collages, and performance works that employ the ritual of the 'cadaver exquis'.
Richard Wagner and the Anti-Semitic Imagination
This book addresses one of the most hotly contested debates in contemporary cultural life: the question of how anti-Semitism figures in the operas of Richard Wagner. Until now, scholars have generally acknowledged Wagner's anti-Semitism but have argued that it is irrelevant to the operas themselves. Marc A. Weiner challenges that traditional view by asserting that anti-Semitism is a crucial, pervasive feature in Wagner's operas. Weiner argues that the operas exemplify and contribute to a vast collection of images that are patently anti-Semitic - and that were readily recognized as such by nineteenth-century German audiences. These images were associated particularly with the body. Through a careful examination of Wagner's music, libretti, and stage directions, Weiner reconstructs iconographies of corporeal images - iconographies of the eye, voice, smell, gait, and sexuality - that were essential to the operas and were "associated with anti-Semitism and the longing for an imagined German community".
James Joyce’s Mandala
The Sanskrit word mandala can be translated as "sacred circle." Within the circle sits a microcosm of the universe and/or consciousness, repre-sented by icons. Eastern civilizations developed the spiritual-artistic practice of creating mandalas—with sand, paint, and architecture—to high technical sophistication, making manifest a geometry with layers of esoteric meaning for both the mandala artist and the initiated spectator. James Joyce’s Mandala outlines and explains this iconic sacred geometry, and assesses to what extent Joyce’s works of literature, in particular Finnegans Wake, can be understood as mandalic constructs. Using exam-ples from Dubliners to the Wake, we see how funda...
