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Madame President
"The harrowing, but triumphant story of Ellen Johnson Sirleaf, leader of the Liberian women's movement, winner of the Nobel Peace Prize, and the first democratically elected female president in African history, "--NoveList.
Ellen Johnson Sirleaf
In this timely addition to the Ohio Short Histories of Africa series, Pamela Scully takes us from the 1938 birth of Nobel Peace Prize winner and two-time Liberian president Ellen Johnson through the Ebola epidemic of 2014–15. Charting her childhood and adolescence, the book covers Sirleaf’s relationship with her indigenous grandmother and urban parents, her early marriage, her years studying in the United States, and her career in international development and finance, where she developed her skill as a technocrat. The later chapters cover her years in and out of formal Liberian politics, her support for women’s rights, and the Ebola outbreak. Sirleaf’s story speaks to many of the key themes of the twenty-first century. Among these are the growing power of women in the arenas of international politics and human rights; the ravaging civil wars in which sexual violence is used as a weapon; and the challenges of transitional justice in building postconflict societies. Ellen Johnson Sirleaf is an astute examination of the life of a pioneering feminist politician.
This Child Will Be Great
In January 2006, after the Republic of Liberia had been racked by fourteen years of brutal civil conflict, Ellen Johnson Sirleaf—Africa's "Iron Lady"—was sworn in as president, an event that marked a tremendous turning point in the history of the West African nation. In this stirring memoir, Sirleaf shares the inside story of her rise to power, including her early childhood; her experiences with abuse, imprisonment, and exile; and her fight for democracy and social justice. This compelling tale of survival reveals Sirleaf's determination to succeed in multiple worlds: from her studies in the United States to her work as an international bank executive to her election campaigning in some of Liberia's most desperate and war-torn villages and neighborhoods. It is also the story of an outspoken political and social reformer who, despite danger, fought the oppression of dictators and championed change. By sharing her story, Sirleaf encourages women everywhere to pursue leadership roles at the highest levels of power, and gives us all hope that, with perseverance, we can change the world.
Dress and Identity
This valuable collection of readings discusses the relationship between dress and identity. Selections from many disciplines present a thorough examination of subjects, such as textiles and clothing, anthropology, sociology, social psychology and womens studies. Some writings are classic statements, others are contributions from recently published books and journals. Each of the books five parts features an introduction that puts entries into context.
Jazz Child
When Sheila Jordan dropped a nickel in the juke box of a Detroit diner in the 1940s and heard “Now’s The Time” by Charlie Parker, she was instantly hooked—and so began a seventy-year jazz journey. In 1962, she emerged as the first jazz singer to record on the prestigious Blue Note label with her debut album Portrait of Sheila. Exploding on the jazz scene, this classic work set the bar for her career as an iconic jazz vocalist and mentor to other promising female vocalists. As The New York Times then announced, “Her ballad performances are simply beyond the emotional and expressive capabilities of most other vocalists.” Jazz Child: A Portrait of Sheila Jordan, as the first complet...
The House at Sugar Beach
Journalist Helene Cooper examines the violent past of her home country Liberia and the effects of its 1980 military coup in this deeply personal memoir and finalist for the 2008 National Book Critics Circle Award. Helene Cooper is “Congo,” a descendant of two Liberian dynasties—traced back to the first ship of freemen that set sail from New York in 1820 to found Monrovia. Helene grew up at Sugar Beach, a twenty-two-room mansion by the sea. Her childhood was filled with servants, flashy cars, a villa in Spain, and a farmhouse up-country. It was also an African childhood, filled with knock foot games and hot pepper soup, heartmen and neegee. When Helene was eight, the Coopers took in a f...
The Murder of Jacob
"On December 17, 1992, Pamela and Kermode Jordan were brutally murdered in their lovely Colorado home. The following morning, the Jordan's fifteen-year-old son, Jacob Ind, confessed to the murders. "They beat me, they beat me and I couldn't take it any more." Was Jacob Ind a murderer? Was Jacob a victim? Or is he both? Come with me. Enter Jacob's world-a world where love means hate, where right and wrong are traps to be set by parents determined to raise "the perfect boys." A precocious child, Jacob learned from his two greatest teachers that problems are always solved through violence. And, via America's criminal justice system, the Jordan's lesson continues to be reinforced. Come with me. Enter Jacobs world. Discover, as I did, that there are many different kinds of murder." -Mary Ellen Johnson, author-
From Day One
The case for narrowing the gender gap is well established, and programs seeking to empower women in sub-Saharan Africa have multiplied. Yet a critical piece is missing: a focus on rural girls from zero to ten years old. Discrimination and social norms that penalize girls and women do not start at adolescence, and by the time many rural girls are 10, it is often too late to undo the damage that has already been done. As an African woman leader who has grown up on the African soil, Joyce Banda, Malawi's first female president and Africa's second, has seen firsthand how young rural girls face obstacles in areas that are critical in shaping their future. This book makes the case of how, if African girls are to realize their potential as leaders and change the narrative of their continent, gender interventions should and can be started from day one. For we cannot to leave any girl behind.
Modern Art And The Object
This book is devoted to a reexamination of modern art from the point of view of the artist's approach to the object. It chronicles the complex, changing relationship between art and the object over the past hundred years; a fundamental organicism relationship as one thing grows out of another.
