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Blanket Weaving in the Southwest
Exquisite blankets, sarapes and ponchos handwoven by southwestern peoples are admired throughout the world. Despite many popularized accounts, serious gaps have existed in our understanding of these textiles—gaps that one man devoted years of scholarly attention to address. During much of his career, anthropologist Joe Ben Wheat (1916-1997) earned a reputation as a preeminent authority on southwestern and plains prehistory. Beginning in 1972, he turned his scientific methods and considerable talents to historical questions as well. He visited dozens of museums to study thousands of nineteenth-century textiles, oversaw chemical tests of dyes from hundreds of yarns, and sought out obscure ar...
Eating Asian America
Examines the ways our conceptions of Asian American food have been shaped Chop suey. Sushi. Curry. Adobo. Kimchi. The deep associations Asians in the United States have with food have become ingrained in the American popular imagination. So much so that contentious notions of ethnic authenticity and authority are marked by and argued around images and ideas of food. Eating Asian America: A Food Studies Reader collects burgeoning new scholarship in Asian American Studies that centers the study of foodways and culinary practices in our understanding of the racialized underpinnings of Asian Americanness. It does so by bringing together twenty scholars from across the disciplinary spectrum to in...
The Art & Tradition of Beadwork
A former professor and museum director offers a fascinating, in-depth look at the culture and history of beaded objects around the world. From a beaded dress found in an ancient Egyptian tomb to the beaded fringe on a 1920s Parisian flapper’s hem, humans throughout history have used beading as a way to express, adorn, and tell a story. Bol explores beadwork across the world and through the ages, showing how beading has taken on many different styles, forms, and purposes for different cultures. She looks at children’s clothing, puberty ceremonies, burials, emblems of social status and leadership, festivals, and many other cultural occasions that involve the use of beadwork. Images of artifacts and heirlooms as well as photography of people and their beadwork enhance the scholarship of this book for a beautiful, enlightening addition to art, history, multicultural collections everywhere.
Navajo Weaving in the Late Twentieth Century
According to the Navajos, the holy people Spider Man and Spider Woman first brought the tools for weaving to the People. Over the centuries Navajo artists have used those tools to weave a web of beautyÑa rich tradition that continues to the present day. In testimony to this living art form, this book presents 74 dazzling color plates of Navajo rugs and wall hangings woven between 1971 and 1996. Drawn from a private southwestern collection, they represent the work of sixty of the finest native weavers in the American Southwest. The creations depicted here reflect a number of stylesÑrevival, sandpainting, pictorial, miniature, samplerÑand a number of major regional variations, from Ganado t...
Crafting America
"A companion to the exhibition Crafting America curated at Crystal Bridges Museum of American Art, this publication explores the interdisciplinary contexts of the assembled works, featuring contributions from scholars with expertise in art history, American studies, folklore, and museum studies. Essay topics include the significance of craft within Native American histories and explorations of craft's relationship to ritual and memory, personal independence, and abstraction"--
Encyclopedia of American Folk Art
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.
forum for inter-american research Vol 3
Volume 3 of 6 of the complete premium print version of journal forum for inter-american research (fiar), which is the official electronic journal of the International Association of Inter-American Studies (IAS). fiar was established by the American Studies Program at Bielefeld University in 2008. We foster a dialogic and interdisciplinary approach to the study of the Americas. fiar is a peer-reviewed online journal. Articles in this journal undergo a double-blind review process and are published in English, French, Portuguese and Spanish.
All Indians Do Not Live in Teepees (or Casinos)
Both a tribute to the unique experiences of individual Native Americans and a celebration of the values that draw American Indians together, this book explores contemporary Native life. Based on personal experience and grounded in journalism, this story begins with the repatriation of ancestral remains, excavated during an archaeological expedition nearly a century earlier, to the Pueblo peoples of New Mexico. This event, along with subsequent repatriations, has accelerated similar momentum across much of Native America. Author Catherine C. Robbins traces this restorative effect in areas such as economic development, urbanization, the arts, science, and health care. Through dozens of interviews, Robbins draws out the voices of Indian people, some well-known and many at the grassroots level, to speak against the background of the narrative's historical context. The result is a rich account of Native American life in contemporary America, revealing not a monolithic "Indian" experience, but rather a mosaic of diverse peoples existing on a continuum that marks both their distinctions and their shared realities.--From publisher description.
