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In Il Moro Heywood constructs a presumably imaginary debate about the nature of true happiness between his great-uncle Sir Thomas More and six of More's friends. Heywood's principal intention in composing this dialogue about happiness seems to have been to provide posterity with a loving memorial of one of England's greatest humanists.
John Heywood was an important literary and theatrical pioneer in his own right, but he is also a revealing lens through which to view the wider tumultuous history of the sixteenth century. He was, through the period from the mid-1520s to the 1560s, as near to a celebrity as Tudor England possessed, famed for his 'merry' persona and good humour. But his public image concealed a deeper engagement with religious and political history. Enduringly resistant to extremism, he variously entertained, counselled, and cautioned his readers and audiences through four reigns, finding himself, as regimes changed and religious policies shifted, successively celebrated, marginalised, anathematised, condemne...
The series is performing an important service by providing fully annotated editions of Tudor humanists and playwrights in the original Tudor English, with glossaries and listing of textual variants and doubtful readings. COMPARATIVE DRAMA `A first-rate edition that substantially advances the cause of scholarship.' COMPARATIVE DRAMA First complete and fully annotated collection of John Heywood's plays in the original language. It makes possible a reevaluation ofhis remarkable achievement as actor-playwright and an appreciation of his lively contribution to the English language. In all their experimental variety the comedies are seen to have the stamp of an idiosyncratic, theatricalintelligenc...
Percy's continental travels in the 1580s may be related to the early travels of Donne and to the plans of Catholic exiles for an invasion of England six years before the defeat of the Armada.
Essays exploring different facets of the life and influence of Edmund Campion, the sixteenth-century Jesuit and martyr.
This volume contains 23 essays which aim to shed new light on the evolution of English culture between the 15th and 18th centuries. Both the English cultural manifestation and its continental sources are discussed, and so, too, is the way in which these phenomena interacted.
The first biography of Henry VIII’s court fool William Somer, a legendary entertainer and one of the most intriguing figures of the Tudor age In some portraits of Henry VIII there appears another, striking figure—a gaunt and morose-looking man with a shaved head and, in one case, a monkey on his shoulder. This is William or "Will" Somer, the king’s fool, a celebrated wit who reportedly could raise Henry’s spirits and spent many hours with him, often alone. Was Somer an “artificial fool,” a cunning comic who could speak freely in front of the king, or a “natural fool,” someone with intellectual disabilities, like many other members of the profession? And what role did he play ...
Many scholars have been calling for a new edition of Sir John Harington's Epigrams. Gerard Kilroy, using the three manuscripts arranged and revised by the author, offers the first complete text in print of Harington's four hundred Epigrams, uncovers Harington's elaborate design of forty theological decades, and restores the emblems and political elegies that Harington uses to frame his complete collection and define its serious purpose.
First published in the summer of 1557 - as the protestant martyrs’ pyres blazed across England - Songes and Sonettes, written by the ryght honorable Lorde Henry Haward late Earle of Surrey, and other (more generally known as Tottel’s Miscellany) is widely regarded as the first anthology of English poetry responsible for introducing Italianate verse forms to England. Yet those scholars who have paid attention to the book usually dismiss its literary quality and regard its chief accomplishment as paving the way for the Golden Age of Elizabethan verse to come. As Professor Warner makes clear, however, there is much more historical significance to the Miscellany than merely being a precursor...