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Else Bülow
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Cosima Wagner
In this meticulously researched book, Oliver Hilmes paints a fascinating and revealing picture of the extraordinary Cosima Wagner—illegitimate daughter of Franz Liszt, wife of the conductor Hans von Bülow, then mistress and subsequently wife of Richard Wagner. After Wagner’s death in 1883 Cosima played a crucial role in the promulgation and politicization of his works, assuming control of the Bayreuth Festival and transforming it into a shrine to German nationalism. The High Priestess of the Wagnerian cult, Cosima lived on for almost fifty years, crafting the image of Richard Wagner through her organizational ability and ideological tenacity.The first book to make use of the available documentation at Bayreuth, this biography explores the achievements of this remarkable and obsessive woman while illuminating a still-hidden chapter of European cultural history.
Hans Von Bülow
Hans von Bulow's career unfolded in at least six directions simultaneously. He was a renowned concert pianist; the first virtuoso orchestral conductor; a respected (and sometimes feared) teacher; an influential editor of works by Bach, Mendelssohn, Chopin, and above all of Beethoven, in the performance of whose music he had no rival; a scourge as a music critic; and lastly, he was himself also a composer of music. In Hans von Bulow: A Life and Times, Alan Walker, the acclaimed author of numerous award-winning books on the era's iconic composers, provides the first full-length English biography of this remarkable musical figure.
Music
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Pianist
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Music
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Hans Von Bülow
A detailed study of the life of one of the most important and influential musical figures of the nineteenth century.
Hans Von Bülow's Letters to Johannes Brahms
Hans-Joachim Hinrichsen's Hans von Bülow's Letters to Johannes Brahms, originally published in German in 1994, covers the correspondence between Hans von Bülow and Brahms from 1877 to 1892, with Brahms's replies, where obtainable, included in the commentary. In addition to selected facsimiles of letters, postcards, and concert programs, this research edition of the correspondence of these two giants of classical music includes a thorough commentary explaining individuals, events, and issues discussed in the letters. Authoritatively researched, Hinrichsen's edition of these letters, artfully translated by Cynthia Klohr, brings to life the world of music that Brahms and Bülow inhabited.
The Holstein Papers
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